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'Godspell,' modernized

Philosophers hurry around onstage, babbling on their cellphones about God until, a few minutes later, Jesus walks in. So begins Godspell, recently performed by Harriton High School

Philosophers hurry around onstage, babbling on their cellphones about God until, a few minutes later, Jesus walks in. So begins Godspell, recently performed by Harriton High School.

Godspell was first performed in 1971. The musical centers on Jesus' teachings and doesn't have one continuous story-line; instead, it's filled with bible stories about how to live a moral life as well as powerful (and catchy) hymns.

Harriton High School modernized the show by inserting pop culture references, setting the action in space, and adding unique technical elements, but it was the energy of the performers themselves that anchored this production. Both the larger ensemble, who clapped and danced through the aisles, encouraging audience participation, and the "core cast," a group of ten soloists, radiated enthusiasm about the show's message and seemed to have a great time sharing it.

As Jesus, Marcel Werder instructed his disciples truthfully, and his eventual death, standing with his arms up as if tied to the cross, was powerful. As John the Baptist and Judas, Jon Duska first introduced Jesus and later betrayed him so earnestly that it seemed he could actually be speaking to the son of God.

The other members of the core cast, who played versions of themselves, delivered shining vocal performances, humorous parables, and tireless commitment. Max Sokoll sung "All Good Gifts" exquisitely, Emily Goldenberg gave a sultry rendition of "Turn Back, O Man," and Gianna Robertson performed a haunting "By My Side" after receiving protection from Jesus. Additionally, Josh Gold demonstrated his versatility with funny character voices and Dani Ochroch's stage presence always made her engaging. At times, some actors seemed over-the-top, but also earned laughs with well-timed comedy.

Student director Olivia Sun, who put on Godspell in one month, integrated these performances with creative technical elements. The lighting crew, led by Sam Eisner, managed spotlights that followed performers throughout the theater, as well as a gorgeous backdrop of twinkling, multicolored stars made from a fiber optic curtain. Alana Koenig and Emma Seymour designed colorful, futuristic costumes, from shining silver blouses to blueberry-colored jackets, which made the actors pop. Finally, the student-conducted orchestra played without any noticeable mistakes and supported the vocalists splendidly. Though a few elements of the show seemed incohesive, on the whole, they exhibited excellent artistry.

All in all, Godspell was an impressive, student-driven show that drove home how people should treat each other in an entertaining production.