'Boeing, Boeing' excellently delivered

Jack M. Barrack Hebrew Academy takes farce to new heights with their production of Boeing Boeing. Translated from French in the 1960s, the show's 2008 Broadway revival snagged a Tony. It's a strong, fast-paced script, chronicling a day in the life of Parisian player Bernard. He divvies up his time between--count 'em--three fiancés, all airline stewardesses. Every day is planned down to the millisecond, ensuring the three women never cross paths. It's tricky, but Bernard has honed the scheme to a science--until one day, when a few flight changes lay Bernard's timetables to waste and all three would-be brides end up in Paris simultaneously.

The show is grounded by two key elements: strong directorial choices and a committed cast. It takes off with a rollicking first act, and the actors quickly gain confidence and comfort. There is near-professional investment in the cast's handling of difficult aspects--split-second comedic timing, for instance, along with an array of exotic accents. Those, in particular, are excellent; delivered with clarity and consistency, the accents greatly enhance the performance. Moreover, the six-person cast demonstrates an ability to carry a three-act show without wavering in energy, and while maintaining chemistry. This is partially to the credit of student director Daniel Horowitz, a senior, who piloted a challenging show almost seamlessly.

The whole cast displays first-class characterization, with some clear standouts. Anna Lieberman, as high-strung, put-upon maid Berthe, is a pleasure to watch; sometimes deadpan, sometimes near hysteria, she garners laughs with almost every line. Sophia Ostroff, portraying the indignant German fiancé, possesses notable stage presence, and serves as a good foil to David Treatman's jittery Robert, an old friend of Bernard's who is thrown headlong into the mayhem when he drops by for a visit. Some cast members encounter mild turbulence with diction, occasionally getting ahead of themselves, but such is the nature of a rapidly paced show.

Technically speaking, simple costumes and makeup contribute to the aesthetic of the thoughtfully constructed unit set. No prop lacks intention; nearly every facet serves a distinct purpose, and the space is utilized effectively. There are a good deal of visual gags relying on the many doors present on the stage, as well as Bernard's well-stocked bar, making for an engaging comedic romp.

So, sit back and enjoy the flight--Jack M. Barrack Hebrew Academy's Boeing Boeing is fluid, funny, and student-directed to boot. All that's missing are the free peanuts.