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Monday, September 12, 2011

By Lisa Kraus

Founder’s Hall at Girard College is one of those Philadelphia treasures you might never know about were it not for artists in search of great spaces. The Lawrence-Herchenroether Dance Company has staged a haunting Fringe event, Awakened Ruins, to animate this majestic 1847 National Historic Landmark.

The piece begins with the sound of Christopher Brooks’s violin spectacularly reverberating off the domed ceilings. Making use of long views from one space to another, five women dancers caked in white clay and wearing corseted muslin bodices progress through the three adjoining rotundas that were Girard College’s first classrooms.

Tori Lawrence’s choreography, replete with fine articulations and carefully placed tableaux, often resembles a slow-moving sculpture as much as a ‘dance.’

With its peeling layers of paint revealing layers of history, the “stabilized ruin” is traversed gradually by unison choruses sliding or pressing their way forward, duos lifting or lying with each other, and dynamic solos. One breakout moment recalls The Rite of Spring, both in pianist Patrick Fink’s rhythms and in the hunkered-down group stomps. In a recurring image one dancer seems to recall actions of classical ballet – repeatedly testing the turnout of her leg, or her ability to unfold into a grand extension.

 Memory, decay, and slow-moving time are rich elements of Awakened Ruins.

$20. 5 and 8 p.m. 9/17. Founder's Hall at Girard College, 2101 South College Ave.

Posted by Lisa Kraus @ 11:58 AM  Permalink | Post a comment
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About Philly Stage
Howard Shapiro reviews and writes about theater for The Inquirer, and has been on staff since 1970. He's had many posts at the newspaper, including cultural arts editor and editor of the Weekend section. He's twice been the editor of the Travel section, for which he writes frequently. He began writing theater criticism a decade ago, and has been a Nieman Fellow at Harvard, an Internews fellow in Greece, and a fellow at the National Endowment for the Arts' Journalism Institutue in Theater and Musical Theater, where Robert Brustein was among his mentors. He teaches arts criticism and travel writing at Temple University, and is Broadway critic for the NPR-affliated stations of the Classical Network.


Toby Zinman's night job since 2006 is theater critic for the Inquirer. She also is a contributing writer for Variety and American Theatre magazine. Her day job: Prize-winning prof at UArts, author of four books about four playwrights (Rabe, McNally, Miller, Albee), and doer of scholarly deeds (winner of five NEH grants, Fulbright lecturer at Tel Aviv University, visiting professor in China). Her 'weekend' job as a travel writer provides adventure: dogsledding in the Yukon, ziplining in Belize, walking coast-to-coast across England, and cowboying in the Australian Outback.


Wendy Rosenfield has been writing freelance features and theater reviews for The Inquirer since 2006. She was theater critic for the Philadelphia Weekly from 1995 to 2001, after which she enjoyed a five-year baby-raising sabbatical. She also writes the ArtsJournal blog Drama Queen. She was 2009 and 2010 Guest Critic for the Kennedy Center American College Theater Festival's Region II National Critics Institute, a 2008 NEA Fellow in Theater and Musical Theater, and a participant in the Bennington Writer's Workshop. A graduate of Bennington College, she is inching toward a Master's degree in Liberal Arts at the University of Pennsylvania. She also is a fiction writer, was proofreader to a swami, publications editor for the Women's International League for Peace and Freedom, and a Brownie Girl Scout troop leader.