Philadelphia is uniquely placed on the American dance scene because of the sheer quantity and quality of our local dance companies. Over the last century and more, no city, outside of New York, has had as many and as varied professional companies.Part of this richness can be attributed to at least five fine university dance departments, which draw talent from all over the country. And part can be attributed to the friendly funding climate, savvy dance audiences, and affordable living standards here. Dancers love Philadelphia, and it loves them back.

Many companies, like Philadanco, Koresh Dance Company, Kun-Yang Lin/Dancers, and BalletX, tour nationally and internationally to stay out of the red. Other organizations, like Dance Celebration, Philadelphia Dance Projects, and Thirdbird, present and create exchange programs between cities to bring us the hottest new dance trends. And of course, with Pennsylvania Ballet celebrating its 50th, it's treating itself to a facelift, launching into a new era of innovative contemporary works and plans for touring that will break them out of the regional ballet mold.

More than 45 dance events scheduled through July made it hard to compile the following short list. A further list appears at XX. There are traditional and contemporary ballet, experimental, flamenco, and dance theater events - even one based on philosophy. There are aerialists, too, with Tangle Movement Arts indoors and Alie Vidich repeating her daring dance feats on the Schuylkill under the Strawberry Mansion Bridge. And, for the first time, Philadanco performs with the Philadelphia Orchestra.

I based the choices below on past track records or because the work sounded unique or quirky enough to intrigue me, and possibly, you. It's an even dozen, and I'm betting they all come up roses.

- Merilyn Jackson, who reviews dance for The Inquirer
"Allege" & "Singer/Songwriter." A humorous and conceptual double bill, presented by Thirdbird, features the Philadelphia premiere of French-born, Berlin-based choreographer Clément Layes' solo Allege. The physical theater artist mixes philosophy and dance with Chaplin-esque virtuosity. Balancing a glass of water on his head, he takes us on a contemplative journey involving habit and expectation, the absurdities of life, and overlooked moments of beauty. This charming piece metaphorically mixes circus arts, choreography, and deeper thinking about quotidian objects. Fronting Layes' performance is Singer/Songwriter, by the duo Magda San Millan and Chelsea Murphy, two postmodern choreographers masquerading as songwriters who got schooled at Headlong Performance Institute. (At 8 p.m. Wednesday, Christ Church Neighborhood House, 20 N. American St. Tickets: $15 general, $12 students and artists. Information: 267-521-2473, www.birdbirdbird.org.)

2 X 2: Dazzling Dutch Dance Duets. By way of his birthplace, Innsbruck, Austria, and through Oregon, Canada, and New York City, Lebanese American Erik Kaiel now lives and works in the Hague, Netherlands. His company, Arch 8, offers two dance duets: my true north, an athletic roller coaster about connectedness; and No Man Is an Island, a balancing act that pushes physical limits as one dancer climbs and shifts atop the other without ever touching the ground. This is the first event in a new initiative called PAPAYA (PA Performing Arts for Young Audiences) and is recommended for families with school-age children. (At noon and 4 p.m. Saturday and Sunday, Painted Bride Art Center, 230 Vine St. Tickets: $25 in advance, $30 day of show; $18.75/$22.50 for members; $15 children 12 and under. Information: 215-925-9914, www.paintedbride.org.)

Pennsylvania Ballet. The ballet's 50th-anniversary year looks backward and forward, with so many fabulous works in the offing I can pick only my favorites. February's smartly programmed opener includes the George Balanchine classic Serenade, Jerome Robbins' Afternoon of a Faun, Margo Sappington's Alexander Calder-inspired Under the Sun, and the company premiere of Jirí Kylián's thriller Petite Mort. In March we get to choose between a pairing of Carmina Burana and the Stravinsky Violin Concerto or Delibes' Coppélia, but why not see both? May brings a program called "Director's Choice," with a world premiere by Trey McIntyre. The 50th-anniversary finale in June features William Forsythe and a new work by resident choreographer Matthew Neenan. ("Serenade and Other Dances," Feb. 7 to 9, Merriam Theater; Carmina Burana/Stravinsky, March 6, 9, 13 to 15, and Coppélia, March 8, 9, 15, Academy of Music; "Director's Choice," May 9 to 11, Academy of Music; "A 50th Finale," June 12 to 15, Merriam Theater. Information: 215-551-7000, tickets.paballet.org.)

BalletX. Get your Valentine on at the world premiere of James Gregg's L-O-V-E. Gregg is resident choreographer for L'École supérieure de ballet du Québec and dances with RUBBERBANDance Group. In the Philadelphia premiere of Slump, Joshua L. Peugh turns formal dance numbers from The Lawrence Welk Show into primitive mating dances. He is also working with BalletX to create a world premiere pas de deux inspired by Japanese animation. Peugh was formerly a dancer with Universal Ballet Company in South Korea, where he choreographed for companies throughout Asia. He now helms Dark Circles Contemporary Dance in Dallas. Also on the program is Delicate Balance, an audience favorite by Jodie Gates. (At 8 p.m. Feb. 12 to 14; 2 p.m. and 8 p.m. Feb. 15; and 2 p.m. Feb. 16, Wilma Theater, 265 S. Broad St. Tickets: $22-$35. Information: 215-546-7824, www.balletx.org.)

Miller Rothlein, "From the Spot Where We/You/I Stand (Stood)." This Philadelphia duo perennially bring cerebral work that plays. Conceived and directed by videographer Tobin Rothlein, From the Spot promises that "alien topographies and precarious balances emerge as Rothlein explores the durational limits of a group of performers and materials wrestling with gravity - never touching the ground, never settling." (Feb. 20 to 23, the White Space at Crane Arts Old School, 1417 N. Second Street. Tickets: $10 and $20. Information: 267-888-6476, millerrothlein.tix.com.)

Liz Gerring Dance Company. The New York-based company was a New York Times 2013 Dance Favorite and brings its glacier to Bryn Mawr College's Goodhart Hall for one night only. It's an evening-length choreographic work for eight dancers based on composer Michael J. Schumacher's 2007-12 work Glacier, described by Alastair Macauley as an "enthralling and important new dance work." (At 8 p.m. Feb. 28. Goodhart Hall, Bryn Mawr College, 150 N. Merion Ave., Bryn Mawr. Tickets:    $20 general, $18 seniors, $10 students, $5 children. Information: 610-526-5210, www.brynmawr.edu/arts/series.html.)

Philadelphia Dance Projects. This presenter, headed by curator Terry Fox, always brings in some of the best dance from around the world and pairs them with some of our local greats: John Scott of Dublin, Ireland with Nora Gibson (Feb. 27-March 1); members of the SCUBA National Touring Network of Dance with Nichole Canuso (March 14-15); and SUBCIRCLE, with a new work for locals Christy Lee, Beau Hancock, Scott McPheeters, and Christina Zani (April 3-5). (All shows 7:30 p.m. at Performance Garage, 1515 Brandywine St., Tickets: $20 general, $15 students or DancePass. Information: 215-546-2552, www.DanceBoxOffice.com.)

Philadanco. This world-renowned company performs with the Philadelphia Orchestra in Francis Poulenc's Aubade, a choreographic concerto for 18 instruments, solo piano, and dancers. Conductor Stéphane Denève, a regular conductor, collaborator, and French repertoire specialist, proposed the modern dance project. Philadanco was a natural choice as the Kimmel's resident dance company. Philadanco dancer/choreographer Tommie-Waheed Evans choreographed the animated and expressive work, based on the myth of Diana, depicts her struggle between love and purity, passion and loneliness. Philadanco brings its unique fusion of contemporary and classical styles to this stunning presentation. (At 2 p.m. on Feb. 28 and 8 p.m. on March 1. Verizon Hall, Kimmel Center, 301 S. Broad St. Tickets: $62-$147. Information: 215-893-1999, www.kimmelcenter.org.)

Philadanco's regular season at the Perelman opens with Apr. 17-20 Philadelphia premieres of Ulysses Dove's Bad Blood and Donald Byrd's Bamm, along with with two repertoire favorites.

Dance Celebration at Annenberg. Presenter Randy Swartz curates this decades-old series, starting the 2014 season with last week's spectacular show by Les Ballets Jazz de Montréal, and keeping up the pace with Rasta Thomas' Bad Boys of Dance, (Feb. 20-22). Doug Elkins, last here with his frolic Fräulein Maria, brings new Philadelphia premieres (Mar. 6-8). Los Angeles-based BODYTRAFFIC makes its Philadelphia debut with a new piece by the young but acclaimed choreographer Kyle Abraham (April 3-5), and the wildly popular MOMIX returns with the irrepressible Moses Pendleton's newest work, Alchemia (May 8-11). (Annenberg Center for the Performing Arts, 3680 Walnut St. Tickets: $20-$55. Information: 215-898-3900, www.annenbergcenter.org/tickets.)


The Muse at Painted Bride. Composer and singer Nnenna Freelon is The Clothesline Muse, a performance that "explores the clothesline as a metaphor of our community lifeline and its ties to our environment." The multi-discipline presentation also includes 6 dancers, a percussionist, spoken word, video and interactive art. The performance includes dance, live music, spoken word, interview text, video and interactive art. Freelon teams with Maya Freelong Asante, whose video interactive reflections serves as the backdrop, and Kariamu Welsh, whose choreography draws empowerment from movements of "washing, pressing and wringing." (At 8 p.m., March 14-15, Painted Bride, 230 Vine Street. Tickets: $25 advance, $30 day of show. member discounts. Information: 215-925-9914, www.paintedbride.org.)

Gala Flamenca. A segment of the World Music Institute's highly successful annual/biennial Flamenco Festival in New York comes to Philadelphia for the first time. It features a large number of bona fide flamenco superstars, including Antonio Canales, Carlos Rodríguez and Karime Amaya. (At 7 p.m. on March 2, Merriam Theater, Kimmel Center. 301 S. Broad St. Tickets: $35-$62. Information: 215-893-1999, kimmelcenter.org.)

Flamenco Festival. Pasión y Arte's 2014 Philadelphia Flamenco Festival begins a two-week run (March 1 to 16) at various locales in Philadelphia and at Longwood Gardens. It features performances by Rosario Toledo, Pastora Galván, Israel Galván, and Pasión y Arte, plus lectures, symposia, and films. (Tickets: $25-$35; other prices and packages available. Information: 267-235-5685, www.philaflamencofest.org.)

Kun-Yang Lin/Dancers. The world premier of Be/Longing I: Light/Shadow looks to be another full-evening of Kun-Yang Lin's quietly powerful works. It takes its cue in part from visual artists Lygia Pape and Anish Kapoor, and the Persian poet and philosopher Rumi. The metaphors of the labyrinth and mandala, and Lin's latest movement research along the Bedog River in Indonesia, have resulted in this new collaboration with mandala artist Tatiana Arias, master puppet artist Hua Hua Zhang, and composer/bassist Cory Neale. (At 8 p.m. on March 21, 3 p.m. and 8 p.m. on March 22, Drexel University, Mandell Theater, 33d and Chestnut Sts. Tickets: $21-$75. Information: 267-687-3739, www.kunyanglin.org/be.)

Camille Brown Dancers, "Mr. TOL E. RAncE." Choreographer/dancer Brown is a highly polished dance theatermaker who's not afraid to pick dancers as good as she is. Spike Lee's Bamboozled inspired this work, which addresses minstrelsy in the performing arts. It speaks humorously on how much Black performers had to tolerate - to engage, provoke, and move the conversation of race forward. Music by Jonathan Melville Pratt, Brandon McCune, Kurt "KC" Clayton, and Scott Patterson. (At 8 p.m., April 11-12, Painted Bride Art Center, 230 Vine St. Tickets: $25 in advance, $30 day of show; $18.75/$22.50 for members. Information: 215-925-9914, www.paintedbride.org.)

Other dance events of note this spring:

Opera Philadelphia presents Osvaldo Golijov's "Ainadamar." The life and death of Federico García Lorca is brought to the stage in a vivid new Spanish production making its only U.S. appearance. This will be on our "Classical" Spring previews list also, but it's a major dance event as well: Nineteen dancers from the Gades company are coming to town for the opera, including choreographer Stella Arauzo and assistant choreographer Antonio Hidalgo. Arauzo choreographed all of the dance for the opera. You can see a bit of their Granada performance at youtu.be/c6duj-NZW5U. Feb. 7-16, Academy of Music. Information: 215-893-1018, www.operaphila.org.

Hybridge Arts Collective, "ID:3." In this triple bill of dance and theater, ID:3 features three mid-length dance and theater works. They are SBF: Single Black Female, by Britney Hines; Beast, by Kelly Turner; and THE TRAVELERS, by Sam Tower. At 7 p.m. Feb. 6, 8 p.m. Feb 7-8, and 3 p.m. p.m. Feb. 9 3:00 p.m. Christ Church Neighborhood House, 20 N. American St. Neighborhood House,www.hybridgearts.org

BalletFleming, "Day & Night." This South Philadelphia company, formed in 2010 by Christopher Fleming, has been presenting a season at the Painted Bride each year. This year Fleming presents a mixed bill featuring choreography by himself, Meredith Rainey, Adrianna de Svastich, and Stephaen Hood. At 7:30 p.m. Feb. 8, 2 p.m. and 6 p.m. Feb. 9 - before the 6 p.m. show, there will be a performance by students of the Freire Charter School as part of BalletFleming's Outreach Program. Painted Bride Arts Center. Tickets: $25. Information: 215-454-2858, danceboxoffice.com.

Roger Lee Dance Company, 1st Annual Black History Dance Celebration. At 8 p.m. Feb. 21-22, Performance Garage, 1515 Brandywine St. Tickets: $18; $20 at door. Information: 215-833-6961, danceboxoffice.com, rogerleedance.com.

MM2 Modern Dance Company. Steven Wiesz, creator of PhiladelphiaDANCE.org, one of the Philadelphia regions' most informative and useful websites, also runs this suburban dance company, which provides opportunities for local dancers to perform for Philadelphia audiences. Breath features choreographers Jessica Bryan, Jennifer Laucella, Alison Liney, and Brianne Scott, its creator. At 2 p.m. April 6, Performance Garage, 1515 Brandywine St. Tickets: $10. Information: 484-469-0288, danceboxoffice.com, mm2dance.org.

Susan Marshall & Company. A Valentine one-night-stand you should be part of! PLAY/PAUSE is "an electric guitar-fueled evening of postmodern dance-theater by Susan Marshall, who rarely appears in the Philadelphia region. This evening-length piece for six dancers features a commissioned score by Pulitzer Prize-winning composer David Lang, performed live by members of electric guitar quartet Dither and Mantra Percussion. At 8 p.m. Feb. 14, Swarthmore College, Lang Performing Arts Center, Pearson-Hall Theater (main stage). Free and open to the public. Information: 610-328-8260, lpacevents@swarthmore.edu.

Tangle Movement Arts. Timelines, kinetic meditation on female bodies in time: A dancer swings on the pendulum of a giant clock as it ticks down moments. An acrobat echoes life evolving on earth millennia ago, rising out of the ocean and into the air via body contortion and aerial rope. At 8 p.m April 3-5, Christ Church Neighborhood House, 20 N. American St. Tickets: $15-$20. Information: tangle-arts.com.

Koresh Dance Company. Broad Street's dance answer to the Broad Street Bullies, these flyers spend more time in the air than a hockey stick and slide faster than a puck. They haven't announced their season yet, but whatever they do, they'll do it with sass, pizzazz and élan. May 1-4 at Suzanne Roberts Theatre. Information: 215-751-0959, koreshdance.org.