To June.

To the NBA Finals.

That's what last night was supposed to be, at least if you were a 76ers fan and closed your eyes and wished a wish.

The Sixers, who fly in the Missing Man formation every night, take on the defending champion Los Angeles Lakers, who occasionally resemble a day care center.

And this is what happens:

The building shivers. In a season absurdly long and filled with irrelevancy, this is one of the electric nights.

Kobe Bryant defending Allen Iverson. Golden Child against The Answer. Out on the right elbow. Between them, they have more moves than a convention of belly dancers.

The ball is tethered to them. They slide about like Jell-O on a wet plate.

Iverson, fresh from that MVP performance in the All-Star Game, and 49 points in Milwaukee the night before, nails a fallaway jumper. If those are going to fall, get out the calculators.

The Lakers go inside. Of course. Shaquille O'Neal with the ball. You hear a diesel engine rumble to life. He goes up to dunk and takes Nazr Mohammed with him. He drops off Mohammed on the third floor and continues on up, taking Mohammed's right arm with him.

Mohammed is starting at center because Matt Geiger's return has been ended at one in a row. He is suspended, by the NBA, for two games. Steroid use. The timing couldn't be worse - six fouls the Sixers won't have for use on O'Neal. And maybe a dozen free throws O'Neal won't have to confront.

And for the Sixers, yet one more missing player in a season replete with them.

Coach Larry Brown shrugs, palms up beseechingly: "The way this season has gone, if something bad doesn't happen, I'm surprised. "

Yet they still lead the whole league.

Meanwhile, Mohammed looks at O'Neal as if to say, Can I have my arm back?

Bryant bangs a three. Iverson bangs a three. Iverson bangs a longer three.

The ball is tethered to them. Surely it is surgically attached. You watch them, darting and accelerating and swiveling on a penny, and their energy level is staggering.

O'Neal makes two incredibly agile and athletic moves, plucking a length-of-the-court pass out of the air when he, and it, are behind the backboard, and somehow reaching back to deposit it. And then he whirls and pirouettes and makes a reverse kiss off the glass with spin.