Letters to the Editor
Barnes’ quirky restrictionsArt critic Edward Sozanski faults the Barnes museum for failing to display the best of what it owns to maximum effectiveness ("Disdainful Albert Barnes and his daunting collection," Sunday). Other art critics concur in more insistent terms.As an illustration, Matisse’s "The Red Madras Headdress" is confined warehouse-fashion among a wall of miscellaneous canvases. Years ago, when the court permitted selected paintings to travel to earn money for the bankrupt Barnes Foundation, that dramatic masterpiece was featured and captured world attention. Other paintings then freed for the first time from the Barnes allowed viewers to see the art in all its glory. Why did it take 61 years since Barnes died to state the obvious? Had Barnes left sufficient money to perpetuate his quirky display of art under bizarre restrictions, he surely had the right to do so. But to allow the dead hand to perpetuate it at public expense is intolerable.