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The Very Best , or at least of a portion thereof, performed Tuesday at Johnny Brenda´s.
ABBEY BRADEN
The Very Best , or at least of a portion thereof, performed Tuesday at Johnny Brenda's.
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Very Best, briefly ebullient

Call them The Very Brief.

There was some question as to whether the Tuesday night performance at Johnny Brenda's by The Very Best, the winning African electro-pop collaboration between Malawi-born singer Esau Mwamwaya and Euro DJ duo Radioclit, was ever going to take place.

Delays in getting a visa for Mwamwaya caused the band to cancel several shows on its tour behind the superb new album, Warm Heart of Africa. It was only last week that the London-based Mwamwaya succeeded in getting cleared to travel to the United States.

On Tuesday, the show did indeed go on - though of the two-man remix crew that is Radioclit, only Johan Karlberg was in the house. His partner, Etienne Tron, was missing in action. For that matter, so was the agit-pop rapper M.I.A., whose guest appearance on Warm Heart of Africa's song "Rain Dance" is just one example of the album's savvy pastiche of indigenous African beats and disco-ball club music moves.

Still, nobody expected M.I.A., nor Ezra Koenig of Vampire Weekend, who sings the album's ebullient title track (named after a Malawian tourist slogan), to be there. What fans of the blog-buzz band might have expected, however, was a performance that lasted for more than 35 minutes.

Make no mistake, there was an irresistible energy coming from the stage. The deep-voiced and long-limbed Mwamwaya was in perpetual motion, wearing a snap-brim hat and with string dangling from the letters TVB on his black T-shirt. He was flanked by two dancers in gold spandex, with rolling hips and idiosyncratic choreographed moves, which included getting down on the stage on all fours and striking poses in a three-point sprinter's position.

But with one mix tape and a full-length album on their resume, it would have been nice if TVB had taken the time to work up more of their material into a headlining-length stage act. Though nearly all of the music was canned - vocal chorales included - the performance, and Mwamwaya's live singing, had enough vigor to carry the day.

That was true of everything from a tune in which Mwamwaya sang over a sample from M.I.A.'s "Paper Planes" to the performance of "Warm Heart of Africa," in which his voice intertwined with Koenig's, and Karlberg sped up the tempo to create a manic remix on the spot. It was fun while it lasted - but it didn't last very long.


Contact music critic Dan DeLuca at 215-854-5628 or ddeluca@phillynews.com. Read his blog, "In the Mix," at http://www.philly.com/philly/blogs/inthemix/.

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