Saturday, November 28, 2015

31 Days of Oscar on TCM

Turner Classic Movies, the vintage movie goldmine, launches its month-long (plus a few days) marathon of past Academy Award nominees and winners -- in all key categories.

31 Days of Oscar on TCM


There are only 28 days in February, but that isn’t stopping Turner Classic Movies from launching its annual “31 Days of Oscar” festival. Starting Saturday and running through March 3 (the day after the Academy Awards, Sunday, March 2) , TCM will be reeling through best picture nominees, best actor nominees, actresses, screenplay, cinematography, art direction , special effects – focusing on especially bountiful years for the movies and their makers.

Try Saturday’s inaugural lineup:  all ten best picture nominees  from arguably the greatest year in Hollywood history, 1939. Beginning at 6am and running to almost 6am Sunday, the films are: Goodbye, Mr. Chips, Of Mice and Men, Ninotchka, Wuthering Heights, Stagecoach, Mr. Smith Goes to Washington, The Wizard of Oz, Gone With the Wind, Dark Victory and Love Affair. (Gone With the Wind took home the statuette-- but how ridiculous is that year?)

Or consider Feb. 4th’s Foreign Language Film Nominee and Winner Marathon: Fellini’s La Strada (1954),  Kon Ichikawa’s The Burmese Harp (’56) , Bergman’s The Virgin Spring (’60), Jiri Menzel’s Closely Watched Trains (’67), Gillo Pontecorvo’s The Battle of Algiers (’66), Costa-Gavras’ Z  (’69)  and Gabriel Axel’s Babette’s Feast (’87).

And how about the Best Supporting Actress Nominee Marathon on Feb 12? Jean Hagen in Singin’ in the Rain (1952), Martha Hyer in Some Came Running (’58), Susan Kohner and Juanita Moore for Imitation of Life (’59), Angela Lansbury in The Manchurian Candidate (’62) and Geraldine Page in You’re a Big Boy Now (’66). 

For the complete and completely gluttonous Oscar-worthy schedule, go to



Inquirer Movie Columnist and Critic
We encourage respectful comments but reserve the right to delete anything that doesn't contribute to an engaging dialogue.
Help us moderate this thread by flagging comments that violate our guidelines.

Comment policy: comments are intended to be civil, friendly conversations. Please treat other participants with respect and in a way that you would want to be treated. You are responsible for what you say. And please, stay on topic. If you see an objectionable post, please report it to us using the "Report Abuse" option.

Please note that comments are monitored by staff. We reserve the right at all times to remove any information or materials that are unlawful, threatening, abusive, libelous, defamatory, obscene, vulgar, pornographic, profane, indecent or otherwise objectionable. Personal attacks, especially on other participants, are not permitted. We reserve the right to permanently block any user who violates these terms and conditions.

Additionally comments that are long, have multiple paragraph breaks, include code, or include hyperlinks may not be posted.

Read 0 comments
comments powered by Disqus
About this blog

Steven Rea has been an Inquirer movie critic since 1992. He was born in London, raised in New York City, and has lived in Los Angeles, San Francisco and Iowa City, Iowa. His column, "On Movies," appears Sundays in Arts & Entertainment, his reviews appear in the Weekend section on Fridays. He is a member of the National Society of Film Critics.

Read his most recent columns and reviews, here. He is the author of the book “Hollywood Rides a Bike,” and also curates the movie stars and bicycling photo blog, Rides A Bike.

Reach Steven at

Steven Rea Inquirer Movie Columnist and Critic
Latest Videos:
Also on
letter icon Newsletter