Monday, November 30, 2015

Darkly, relentlessly running

Andreas Lust is "The Robber," running and running. The Austrian thriller is based on true-life exploits.
Andreas Lust is "The Robber," running and running. The Austrian thriller is based on true-life exploits. MIGUEL DIETERICH
About the movie
The Robber (Der Rauber)
MPAA rating:
Running time:
Release date:
Johann Bednar; Michaela Christl; Bernd-Christian Althoff; Markus Schleinzer; Florian Wotruba; Max Edelbacher; Gerda Drabek; Franziska Weisz; Peter Vilnai; Andreas Lust
Directed by:
Benjamin Heisenberg

The runner as metaphor — moving fast through the world, eyes on the finish line, or head turned back, trying to escape the past. In the British New Wave classic The Loneliness of the Long Distance Runner, it was about rebelling against authority. In Chariots of Fire, it was about speed - and class, and religion, and culture clash.

It's not easy to say why the title character in the dark, taut Austrian thriller The Robber runs. Johann Rettenberger (Andreas Lust) has just served six years for armed robbery. In prison he kept to himself, running circles in the yard, training relentlessly. Now out in the world again, he competes in marathons - and finishes at the head of the pack. He keeps a log of his times, monitors his heart rate. And then he puts on a mask, takes a pump-action gun, and robs banks. Sometimes, he escapes by (stolen) car. Other times, he just darts down the sidewalks, a man possessed.

Directed by the German filmmaker Benjamin Heisenberg and adapted from a book based on the real-life exploits of just such a man, The Robber is powerful stuff. There are riveting chase sequences - on crowded city streets, in vast forests and countryside. And there's the enigma of what drives Rettenberger. Is it simply about the money, or is there something deeper going on? To rob a bank, to run - are these the only things that make him feel alive?

There is a parole officer eager to see Rettenberger succeed - at running, and at assimilating back into society. There is a girlfriend (Franziska Weisz), attracted to Rettenberger's quietude, his mystery. But he cannot settle down, find a job, go straight. He doesn't even try.

The Robber is exhilarating and, ultimately, filled with a sense of existential dread. The outcast, the criminal, determined to outrun his pursuers. And determined to never feel trapped again.

Contact movie critic Steven Rea at 215-854-5629 or Read his blog, "On Movies Online," at


Inquirer Movie Columnist and Critic
We encourage respectful comments but reserve the right to delete anything that doesn't contribute to an engaging dialogue.
Help us moderate this thread by flagging comments that violate our guidelines.

Comment policy: comments are intended to be civil, friendly conversations. Please treat other participants with respect and in a way that you would want to be treated. You are responsible for what you say. And please, stay on topic. If you see an objectionable post, please report it to us using the "Report Abuse" option.

Please note that comments are monitored by staff. We reserve the right at all times to remove any information or materials that are unlawful, threatening, abusive, libelous, defamatory, obscene, vulgar, pornographic, profane, indecent or otherwise objectionable. Personal attacks, especially on other participants, are not permitted. We reserve the right to permanently block any user who violates these terms and conditions.

Additionally comments that are long, have multiple paragraph breaks, include code, or include hyperlinks may not be posted.

Read 0 comments
comments powered by Disqus
Latest Videos:
Also on
letter icon Newsletter