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Review: 'The Illusionists,' much flash, few surprises

The Illusionists: Witness the Impossible, brings a motley Vegas-style assortment of magicians (and one escape artist) from a six-week residency on Broadway to the Academy of Music. They've got fireworks, lasers, indoor snow, interactive video screens, and dancer/assistants dressed in the ragged Victorian hooker/dandy style seen sauntering across many a steam-punk conference floor. But do they make the magic happen?

The seven magicians all have their own distinct personalities and styles, complimented by fireworks, lasers, indoor snow, video screens, and dancer/assistants. (TYUKODI LASZLO)
The seven magicians all have their own distinct personalities and styles, complimented by fireworks, lasers, indoor snow, video screens, and dancer/assistants. (TYUKODI LASZLO)Read more

The Illusionists: Witness the Impossible, brings a motley Vegas-style assortment of magicians (and one escape artist) from a six-week residency on Broadway to the Academy of Music. They've got fireworks, lasers, indoor snow, interactive video screens, and dancer/assistants dressed in the ragged Victorian hooker/dandy style seen sauntering across many a steam-punk conference floor. But do they make the magic happen?

The answer is complicated. First, our cast of characters: Adam Trent, "The Futurist," possesses Ryan Seacrest's amiability, and a similarly bland set of tricks. His primary link to the future - those video screens - focus more on simple choreography than sleight of hand. Jeff Hobson, "The Trickster," has Liberace's hair, grin and affection for glitz (and a touch of Frank Gorshin's Riddler), with none of the need to closet his humor. His tricks aren't earth-shattering or new, but his sharp attitude might be the most refreshing part of this show.

At the other end of the magical spectrum, there's Dan Sperry's "Anti-Conjuror," who styles himself after Marilyn Manson, complete with black lipstick and white makeup resembling dripping pigeon effluvia. This is not a swipe; the man (who turns out to be fairly charming) also has a bird act, and since he favors gross-out bits such as pulling dental floss through his eye socket, it's probably intentional. Andrew Basso's Italian "Escapologist" unlocks himself from various underwater hindrances. Aaron Crow's Belgian "Warrior" performs a nerve-wracking weaponized audience-participation feat while clad in a silver brocade duster and quite possibly a codpiece. And South Korean Yu Ho-Jin's "Manipulator" brings the earnest, pained expression and fine-boned beauty of a K-pop balladeer to some gracefully performed card tricks.

Finally, it's a bit of a contradiction that Kevin James' "Inventor" has the best-staged tricks. He's soft-spoken, with the least stage presence, a portly, kind guy in Thomas Dolby glasses, who gets the full attention of all those dancers, saws a man in half, and carries him across the stage. Or the top of him, anyway.

There's plenty of entertainment to be had here - after all, these are seven performers bringing their A-games - and really, its carnies-on-tour hucksterism has a vaudevillian underdog quality that's a triumph in a house this size. But the production's Nine Inch Nails aesthetics and reliance on the tried and true give it a dated quality that traditionalists may appreciate but that might disappoint those raised to expect over-the-top shocks and thrills. Perhaps that says more about our culture than it does about them, but magic relies on the element of surprise, and the Illusionists offer only a few surprises.

THEATER REVIEW

The Illusionists: Witness the Impossible

Through Sunday at the Academy of Music, Broad and Locust Streets.

Tickets: $20-$105.50.

Information: 215-731-3333 or www.KimmelCenter.org/Broadway

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