Saturday, October 25, 2014
Inquirer Daily News

Steven Rea

Email   Follow on Twitter

Steven Rea has been an Inquirer movie critic since 1992. He was born in London, raised in New York City, and has lived in Los Angeles, San Francisco and Iowa City, Iowa. His column, "On Movies," appears Sundays in Arts & Entertainment, his reviews appear in the Weekend section on Fridays, and his blog, On Movies Online, can be found here. He is a member of the National Society of Film Critics.

He is the author of the book “Hollywood Rides a Bike,” and also curates the movie stars and bicycling photo blog, Rides A Bike.

The double portrait of Dido Elizabeth Belle and Lady Elizabeth Murray that appears at the end of Belle - and that actresses Gugu Mbatha-Raw and Sarah Gadon pose for in the film - is remarkable in one defining way.
She's 'Fed Up' with Big Food
"Locke": A man, a car, a mobile device, utter intrigue
LeBron James set for Apatow comedy
Something happens to François Ozon's people when they get near the water. In the prolific and provocative French filmmaker's 1997 almost-feature-length debut, See the Sea, a drifter insinuates herself into the life of a mother and child at an island cottage. In 2000's Under the Sand, a husband disappears while taking a swim, leaving his wife, Charlotte Rampling, adrift. And Rampling, playing a mystery writer, dives into a puzzling dream in 2003's Swimming Pool.

Pages:  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  | 

Total pages: 62 | Jump to: