Sunday, May 24, 2015

Peter Dobrin

Peter Dobrin is a classical music critic for The Inquirer. Since 1989, he has written music reviews, features, news and commentary for the paper, covering such topics as the Philadelphia Orchestra's 64-day strike in 1996, the development of a new performing arts center in Philadelphia, changes in the classical-recording industry and the finances of Philadelphia's arts organizations.

He has also covered the Philadelphia Orchestra's tours in Asia, South America and the United States. Dobrin was a French horn player. He earned an undergraduate degree in performance from the University of Miami, and received a master's degree in music criticism from the Peabody Institute of the Johns Hopkins University, where he studied with Elliott Galkin. His work has also appeared in the Baltimore Sun and the Washington Post.

Read his blog "ArtsWatch" to find out who's making news, noise and splash in the Philadelphia arts world and beyond. 

 
Read Peter's blog Arts Watch
Latest post: Kimmel Center reaches deal with unions - 09/30/2014
  Email Peter at pdobrin@phillynews.com
It is useful to think of the arts in 20th-century America as a vast benevolent conspiracy. In public schools where serious art education was the accepted standard, children were sent home with instruments, to be met by stay-at-home parents who made sure t
The Philadelphia Orchestra has a rather plastic idea of the concert format these days. On Wednesday night, that meant a hybrid of the talk-and-play concerts it has done under various names over the last two decades, plus offering the LiveNote app that allows the audience to follow real-time program notes on mobile devices.
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