Wednesday, November 25, 2015

Peter Dobrin

Peter Dobrin is a classical music critic for The Inquirer. Since 1989, he has written music reviews, features, news and commentary for the paper, covering such topics as the Philadelphia Orchestra's 64-day strike in 1996, the development of a new performing arts center in Philadelphia, changes in the classical-recording industry and the finances of Philadelphia's arts organizations.

He has also covered the Philadelphia Orchestra's tours in Asia, South America and the United States. Dobrin was a French horn player. He earned an undergraduate degree in performance from the University of Miami, and received a master's degree in music criticism from the Peabody Institute of the Johns Hopkins University, where he studied with Elliott Galkin. His work has also appeared in the Baltimore Sun and the Washington Post.

Read his blog "ArtsWatch" to find out who's making news, noise and splash in the Philadelphia arts world and beyond. 

Read Peter's blog Arts Watch
Latest post: Kimmel Center reaches deal with unions - Sep 30 - 5:57 PM
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When leaders of the Pennsylvania Ballet grew weary of a seemingly endless loop of financial strain, they turned to Michael M. Kaiser. With unpaid vendors knocking on the Philadelphia Theatre Company's door and its chances of surviving increasingly in doubt, it was Kaiser who was tapped to gauge how bad the crisis was, why it existed, and what could be done.
With a single swing of the ax, the new leadership of Pennsylvania Ballet has cleared out the longtime artistic pillars of the company.

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