Wednesday, November 25, 2015

Peter Dobrin

Peter Dobrin is a classical music critic for The Inquirer. Since 1989, he has written music reviews, features, news and commentary for the paper, covering such topics as the Philadelphia Orchestra's 64-day strike in 1996, the development of a new performing arts center in Philadelphia, changes in the classical-recording industry and the finances of Philadelphia's arts organizations.

He has also covered the Philadelphia Orchestra's tours in Asia, South America and the United States. Dobrin was a French horn player. He earned an undergraduate degree in performance from the University of Miami, and received a master's degree in music criticism from the Peabody Institute of the Johns Hopkins University, where he studied with Elliott Galkin. His work has also appeared in the Baltimore Sun and the Washington Post.

Read his blog "ArtsWatch" to find out who's making news, noise and splash in the Philadelphia arts world and beyond. 

Read Peter's blog Arts Watch
Latest post: Kimmel Center reaches deal with unions - Sep 30 - 5:57 PM
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It would be understandable if anyone left the Philadelphia Orchestra's second and last free "neighborhood concert" of the season feeling bemused.
If audiences in New England end up hearing anything like Tuesday night's recital at the Curtis Institute of Music, they will be struck by the meticulous approach of violinist Bella Hristova and pianist Steven Lin. The two young Curtis grads tried out their program amid the comforts of home - Field Concert Hall - before taking it on the road. The concert, strung loosely along the idea that folk tunes can and do seep into classical, was built to announce the virtues of technical solidity.

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