Tuesday, January 27, 2015

Peter Dobrin

Peter Dobrin is a classical music critic for The Inquirer. Since 1989, he has written music reviews, features, news and commentary for the paper, covering such topics as the Philadelphia Orchestra's 64-day strike in 1996, the development of a new performing arts center in Philadelphia, changes in the classical-recording industry and the finances of Philadelphia's arts organizations.

He has also covered the Philadelphia Orchestra's tours in Asia, South America and the United States. Dobrin was a French horn player. He earned an undergraduate degree in performance from the University of Miami, and received a master's degree in music criticism from the Peabody Institute of the Johns Hopkins University, where he studied with Elliott Galkin. His work has also appeared in the Baltimore Sun and the Washington Post.

Read his blog "ArtsWatch" to find out who's making news, noise and splash in the Philadelphia arts world and beyond. 

Read Peter's blog Arts Watch
Latest post: Kimmel Center reaches deal with unions - 09/30/2014
  Email Peter at pdobrin@phillynews.com
Five or six decades have passed since Herbert von Karajan's advocacy for Sibelius established an international sound concept on the composer's coattails. Polished and cool, Karajan's recordings of the Sibelius symphonies might have done more to advance the cause of ensemble perfection than of the composer. They were beautiful and superficial.
Spring Arts: Spring brings musical stirrings and changes
Pacino refocuses Academy ball concert
One of the most startling moments at Saturday night's Academy of Music 158th Anniversary Concert was hearing the Philadelphia Orchestra in an important, rarely heard William Walton score.

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