"Lebanon, Pa.," in addition to being a nice, low-key character piece, is the answer to an awesome trivia question:
Name two movies in which a guy leaves Philadelphia for Lancaster County in a Volkswagen.
The other being "Witness," and kudos to "Lebanon" writer-director Ben Hickernell for making a movie set near Amish country that does not feature a single horse and buggy.
Instead, front and center is the slowly dissolving and reassembling life of Will (Josh Hopkins from "Cougartown"), who takes leave from his Philadelphia ad job to attend his estranged father's funeral in Lebanon, where he lingers to dispose of dad's house and property.
As Will inventories the possessions that are the measure of his dad's distant life, he thinks about his own - his just-ended romance, his unchallenging job, his untethered urban existence.
The more he thinks of his own life, the less he feels like returning to it. Pulling Will closer to Lebanon are the people he meets. He befriends the single dad (Ian Merrill Peakes) across the street, and becomes an adviser to his college-bound daughter (Rachel Kitson).
His biggest incentive to stay comes in the form of a pretty (and pretty married) schoolteacher (Samantha Morton), who lets Yuengling and Will lead her slightly astray.
The subtle conflict in "Lebanon" is between the grounded/defined lives of the locals - their connection to the institutions of church, family and marriage - and the rootless Will, who unintentionally destabilizes the people he meets.
"Lebanon" itself gets a bit unsteady in the final section. For the most part it's your classic character-driven movie - the antithesis of an "issue" drama - until a contentious issue surfaces that threatens to overwhelm the story.
At every turn, though, "Lebanon" returns to its subtle, strong performances - Hopkins, Mathis, Peakes, Mary Beth Hurt in a supporting role. Temple drama student Kitson holds her own with these seasoned pros - even though she's cast way against type here as a girl who wants to go to Drexel.