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    <title>Inquirer Art Critic - Edward J. Sozanski</title>
    <link>http://www.philly.com/philly/columnists/edward_j_sozanski</link>
    <description>RSS Feed for Inq Col Edward J. Sozanski</description>
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    <pubDate>Sun, 27 May 2012 10:44:54 GMT</pubDate>
    <dc:date>2012-05-27T10:44:54Z</dc:date>
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      <title>What Albert C. Barnes definitely did not want</title>
      <link>http://www.philly.com/philly/columnists/edward_j_sozanski/20120527_What_Albert_C__Barnes_definitely_did_not_want.html</link>
      <description>It has been said in various bits of commentary and reportage surrounding this month&amp;rsquo;s opening of the new Barnes Foundation building that Albert Barnes wanted his collection to be shared with the general public. Not so.</description>
      <pubDate>Sun, 27 May 2012 10:44:54 GMT</pubDate>
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      <dc:date>2012-05-27T10:44:54Z</dc:date>
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      <title>Review: Salvatore Pinto&amp;rsquo;s Barnes connection</title>
      <link>http://www.philly.com/philly/columnists/edward_j_sozanski/20120520_Review__Salvatore_Pinto_rsquo_s_Barnes_connection.html</link>
      <description>Since being hired as director in September, 2010, William R. Valerio has dramatically revitalized Woodmere Art Museum&amp;rsquo;s mission to concentrate on art created by Philadelphians. In particular, recent exhibitions at the Chestnut Hill museum have restored public awareness of artists who, for one reason or another, are today either underappreciated or forgotten.</description>
      <pubDate>Sun, 20 May 2012 07:00:00 GMT</pubDate>
      <guid>http://www.philly.com/philly/columnists/edward_j_sozanski/20120520_Review__Salvatore_Pinto_rsquo_s_Barnes_connection.html</guid>
      <dc:date>2012-05-20T07:00:00Z</dc:date>
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      <title>&amp;lsquo;Maya 2012&amp;rsquo; at Penn Museum shows pre-Columbian sophistication</title>
      <link>http://www.philly.com/philly/columnists/edward_j_sozanski/20120513__lsquo_Maya_2012_rsquo__at_Penn_Museum_shows_pre-Columbian_sophistication.html</link>
      <description>When I was in high school, students were almost entirely ignorant of the fact that the Americas were already densely populated when Columbus bumped into the island of Hispaniola in 1492. Some of these civilizations, particularly the Aztecs, the Maya, and the Inca, were as sophisticated as any pre-Columbian European cultures, in some instances more so.</description>
      <pubDate>Sun, 13 May 2012 10:48:22 GMT</pubDate>
      <guid>http://www.philly.com/philly/columnists/edward_j_sozanski/20120513__lsquo_Maya_2012_rsquo__at_Penn_Museum_shows_pre-Columbian_sophistication.html</guid>
      <dc:date>2012-05-13T10:48:22Z</dc:date>
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      <title>An eccentric collector and democratizer of art</title>
      <link>http://www.philly.com/philly/columnists/edward_j_sozanski/20120503_Albert_C__Barnes_was_trained_as_a_scientist__so_it_s_not_NO_HEAD_SPECIFIED.html</link>
      <description>Albert C. Barnes was trained as a scientist, so it's not surprising that he would apply rigorous empirical discipline to the less categorical activity of collecting art.</description>
      <pubDate>Sun, 06 May 2012 21:06:38 GMT</pubDate>
      <guid>http://www.philly.com/philly/columnists/edward_j_sozanski/20120503_Albert_C__Barnes_was_trained_as_a_scientist__so_it_s_not_NO_HEAD_SPECIFIED.html</guid>
      <dc:date>2012-05-06T21:06:38Z</dc:date>
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      <title>Review: Galleries shine at the new Barnes</title>
      <link>http://www.philly.com/philly/columnists/edward_j_sozanski/150105595.html</link>
      <description>Transformation of the Barnes Foundation from a school with an art collection to a museum with art classes is finally complete.</description>
      <pubDate>Sun, 06 May 2012 20:43:51 GMT</pubDate>
      <guid>http://www.philly.com/philly/columnists/edward_j_sozanski/150105595.html</guid>
      <dc:date>2012-05-06T20:43:51Z</dc:date>
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      <title>Uffizi Gallery treasures at Michener Museum in Doylestown</title>
      <link>http://www.philly.com/philly/columnists/edward_j_sozanski/20120429_Uffizi_Gallery_treasures_at_Michener_Museum_in_Doylestown.html</link>
      <description>Since it opened in 1988, the James A. Michener Art Museum has assiduously promoted the art of Bucks County, particularly the New Hope colony, and American art in general. It&amp;rsquo;s a bit of a jolt, then, to walk into the museum&amp;rsquo;s special exhibitions space and encounter a display of European Old Master art, most of it Italian and all of it religious.</description>
      <pubDate>Tue, 01 May 2012 13:23:13 GMT</pubDate>
      <guid>http://www.philly.com/philly/columnists/edward_j_sozanski/20120429_Uffizi_Gallery_treasures_at_Michener_Museum_in_Doylestown.html</guid>
      <dc:date>2012-05-01T13:23:13Z</dc:date>
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      <title>Barnes at the Pennsylvania Academy: A scandal in 1923</title>
      <link>http://www.philly.com/philly/columnists/edward_j_sozanski/20120415_Barnes_at_the_Pennsylvania_Academy__A_scandal_in_1923.html</link>
      <description>Eighty-nine years ago this month, Albert Coombs Barnes and his ideas about art were rejected by the city of Philadelphia more rudely and forcefully than he deserved, or could have reasonably expected. That rejection contributed significantly to the collector&amp;rsquo;s estrangement from the city&amp;rsquo;s cultural and educational community, and also to the public perception of Barnes as a crotchety, egotistical, and vindictive misanthrope.</description>
      <pubDate>Fri, 04 May 2012 16:02:49 GMT</pubDate>
      <guid>http://www.philly.com/philly/columnists/edward_j_sozanski/20120415_Barnes_at_the_Pennsylvania_Academy__A_scandal_in_1923.html</guid>
      <dc:date>2012-05-04T16:02:49Z</dc:date>
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      <title>Art: An artist's life with joyful, sensual color</title>
      <link>http://www.philly.com/philly/columnists/edward_j_sozanski/20120408_Art__An_artist_s_life_with_joyful__sensual_color.html</link>
      <description>By emphasizing color and light, the impressionists invented a way of painting that conveyed pure sensation. This is why critics of their time, startled by the sketchiness and chromatic intensity of their pictures, denounced them.</description>
      <pubDate>Mon, 09 Apr 2012 14:23:00 GMT</pubDate>
      <guid>http://www.philly.com/philly/columnists/edward_j_sozanski/20120408_Art__An_artist_s_life_with_joyful__sensual_color.html</guid>
      <dc:date>2012-04-09T14:23:00Z</dc:date>
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      <title>Fabric Workshop presents monumental works by Pae White, Mark Bradford, Jennifer Steinkamp</title>
      <link>http://www.philly.com/philly/columnists/edward_j_sozanski/20120401_Monumental_works_by_Pae_White__Mark_Bradford__Jennifer_Steinkamp_at_Fabric_Workshop__Art_by_Edward_J__Sozanski.html</link>
      <description>When the Fabric Workshop and Museum moved to Arch Street to make way for the expansion of the Convention Center, it gained some cavernous, loftlike spaces on the upper floors of its building that lend themselves to monumental installation projects. In the current art climate, there seem to be many artists who like to work this way. But how many can effectively fill a shoebox-proportioned room that's 130 feet long? Pae White can and does, with a mesmerizing construction of red yarn called Summer XX.</description>
      <pubDate>Mon, 02 Apr 2012 19:37:12 GMT</pubDate>
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      <dc:date>2012-04-02T19:37:12Z</dc:date>
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    <item>
      <title>Art:</title>
      <link>http://www.philly.com/philly/columnists/edward_j_sozanski/20120325_Art_.html</link>
      <description>&amp;quot;Art&amp;quot; by Edward J. Sozanski does not appear this week. 
 Read his recent work at http://go.philly.com/ edwardsozanski</description>
      <pubDate>Sun, 25 Mar 2012 07:01:00 GMT</pubDate>
      <guid>http://www.philly.com/philly/columnists/edward_j_sozanski/20120325_Art_.html</guid>
      <dc:date>2012-03-25T07:01:00Z</dc:date>
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