The Philadelphia Orchestra's dress-to-kill program on its soon-to-start European tour was previewed Wednesday at Verizon Hall in what was also the close of Yannick Nézet-Séguin's third season as music director. The show illustrated his way of taking smart, middling chances and drawing the best from those around him.
At what point does music become more of a tourist experience than art? Philadelphia Orchestra conductor-in-residence Cristian Macelaru walked all over such not-so-fine lines on Thursday at the Kimmel Center in a winningly idiosyncratic program bookended by two travelogues in sound from his native Romania - with folk elements cleaned and polished to a high gloss.
CAMDEN - A large, blue package with one of the largest bows in the history of gift-giving sat in the Symphony in C box office Saturday, containing a recording of every concert departing music director Rossen Milanov has conducted over the last 15 years with this orchestra.
The artistic solidity on which Richard Goode made his name has given way to encroaching adventurousness over the years, though the limitations of that were intermittently apparent at his Philadelphia Chamber Music Society recital Tuesday at the Kimmel Center.
Even the greatest artists have performances in which all the right things happen but the core experience just isn't there. The surprise with soprano Dorothea Röschmann is how that can happen from piece to piece, not just in her Wednesday recital with pianist Mitsuko Uchida, but in past recordings.
David Patrick Stearns is a classical music critic and columnist for the Philadelphia Inquirer.