PhillyStage Archive: February, 2013

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Revisiting a groundbreaking work

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By Merilyn Jackson Two duets dominate the three-piece Bill T. Jones/Arnie Zane program that opened Thursday for a weekend run at the Painted... Read more

Review: PRISCILLA QUEEN OF THE DESERT

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By Toby Zinman For the Inquirer It’s like going to a great party with lots of Champagne: Priscilla Queen of the Desert The Musical... Read more

Review: THE MADRID

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By Toby Zinman For the Inquirer Edie Falco is the big draw for The Madrid, a play by a little-known author who also happens to be a producer... Read more

Review: VINCENT IN BRIXTON

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By Toby Zinman FOR THE INQUIRER It’s like watching a novel: all the intimacy, all the language, all the complexity of character, without... Read more

Review The Diary of a Madman

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By Wendy Rosenfield For the Inquirer All season I’ve been mourning Philadelphia’s loss of the Barrymore Awards and their formal... Read more

Review: THE NORTH PLAN

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The North Plan By Toby Zinman For the Inquirer Think Martin McDonagh without the accents. Think Quentin Tarantino without the cars. Think... Read more

Review: PARADISE PARK

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By Toby Zinman For the Inquirer Death by whimsy: not a pretty way to go. Idiopathic Ridiculopathy Consortium’s unbearably cloying... Read more

Review: Bad Dates

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By Wendy Rosenfield for the Inquirer Theresa Rebeck’s 90-minute monologue Bad Dates begins with an introduction to one woman’s... Read more