Review: A MOON FOR THE MISBEGOTTEN

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By Toby Zinman For the Inquirer A Moon for the Misbegotten, Eugene O'Neill's last mighty play, is at the Independence Studio at the Walnut... Read more

Review: THE HARD PROBLEM

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By Toby Zinman For the Inquirer Last month playwright Tom Stoppard, author of The Hard Problem, and David Chalmers, the philosopher who coined... Read more

New York Review: THE CHANGELING

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By Toby Zinman For the Inquirer Martin McDonagh, eat your heart out. The Changeling, written in 1622 by Thomas Middleton and William Rowley... Read more

New York Review: FIDDLER ON THE ROOF

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by Toby Zinman for the Inquirer This magnificent Broadway revival of Fiddler on the Roof is guaranteed to leave you farklempt (the Yiddish... Read more

Review: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT

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By Toby Zinman For the Inquirer You just can't beat the Old Testament for family drama. Joseph and the Amazing Technicolor Dreamcoat, at... Read more

Review: GENTLEMEN VOLUNTEERS

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By Toby Zinman For the Inquirer Pig Iron's anniversary remounting of their 2006 production of Gentlemen Volunteers, a show that successfully... Read more

London review: CYMBELINE

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By Toby Zinman For the Inquirer The Globe's production of Cymbeline in the Sam Wanamaker Theatre—an enchanting indoor venue lit only... Read more

London review: HANGMEN

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By Toby Zinman For the Inquirer "Come on, Harry, it's not every day they abolish hanging, is it?" That day in 1965 ended capital punishment... Read more