Review: BABY DOLL

Comment icon 0 Comments
By Toby Zinman For the Inquirer If you think it's been hot and humid outside, just wait until you step inside McCarter Theatre. Emily Mann's... Read more

Review: Not for Profit

Comment icon 0 Comments
By Wendy Rosenfield for the Inquirer The Fringe is a great time for burgeoning indie theater companies to get the attention they might be... Read more

Review: PHOTOGRAPH 51

Comment icon 0 Comments
By Toby Zinman For the Inquirer They were looking for the secret of life—not some romantic, gooey notion of the secret of life, but... Read more

Fringe Review: KILL WILL

Comment icon 0 Comments
By Toby Zinman For the Inquirer Speakest thou to me, pal? En garde! Fights—with swords (broad and not), daggers, rapiers, pikes and... Read more

Fringe Review: ALIAS ELLIS MACKENZIE

Comment icon 0 Comments
By Toby Zinman For the Inquirer Layer upon layer upon layer: Thaddeus Phillips, who directed and conceived Alias Ellis Mackenzie, also stars... Read more
Blog Image

Dance Review

Comment icon 0 Comments
By Merilyn Jackson FOR THE INQUIRER AS Lucinda Childs’ “Available Light” premiered in the Drexel Armory Thursday night... Read more
Blog Image

Dance Review

Comment icon 0 Comments
Jo Strømgren’s There and The Border Deserve Medals Merilyn Jackson, For The Inquirer Posted Thursday, Sept 10, 2015 12 noon Norwegian... Read more

Fringe Review: A DOLL'S HOUSE

Comment icon 0 Comments
By Toby Zinman For the Inquirer A Doll's House, Ibsen's masterwork, has been endlessly revived, reimagined, replayed, knocked-off and parodied... Read more