By Wendy Rosenfield
It’s been an enlightening experience, seeing Charlotte Ford’s Bang at this year’s Live Arts Festival, and then, a week later, taking in Young Jean Lee Theater Company’s Untitled Feminist Show. Both feature naked women of childbearing age with average- to above-average proportions dancing, mugging, confronting the audience, and generally having a great time in their own skin.
But that’s not all they have in common. Both forego a linear storyline for alternating collaborative and individual vignettes, with feminism and its emphasis on community built into the performances’ very structure. It’s almost as though Bang functions as a warmup for Untitled Feminist Show. The themes examined there get bigger and bolder under Lee and company’s direction, and despite an absence of dialogue (unless you count two songs, one in Welsh and the other whose lyrics are “LaLaLa”) its message comes across loud and clear. This is Lee’s second Live Arts Festival entry--the first was 2007‘s Songs of Dragons Flying to Heaven, about Asian-American identity--and she approaches gender and ideas of femininity with a similar wry humor.
Its six performers--Becca Blackwell, Katy Pyle, Regina Rocke, Jen Rosenblit and Amelia Zirin-Brown--come in varying sizes, races and gender identifications, and dance themselves into spread-eagled tableaux beneath flickering videos of brightly colored abstractions, all to sound design that travels from pastoral classical to Royksopp’s electronica.