Friday, February 12, 2016

SnagFilms snags new deals with Comcast, iPad, FiOS and more

The innovative documentary film aggregator is expanding its library and expanding the platforms by which consumers can view its more than 1,500 titles.

SnagFilms snags new deals with Comcast, iPad, FiOS and more


SnagFilms -- the innovative aggregator of documentaries, with more than 1,500 shorts and features in its on-line library -- is in expansion mode. The two-year-old company, which streams its titles free, and also allows consumers to set up SnagFilms widgets on their own sites (there are now more than 90,000 linked websites and webpages), announced this week that it is extending its reach by offering select titles via Comcast's video on demand channels and Verizon FiOS TV.

Additionally, selections from SnagFilms’ non-fiction library will be available for purchase on iTunes; for rental from YouTube’s premium program; and both free and for purchase on the iPad. A mobile phone carrier distribution plan is going forward, and deals with Lionsgate, New Video/Docurama, the National Film Board of Canada and USC’s film school will expand the number and types of films available in the SnagFilms repository.
And last week, SnagFilms launched its second annual SummerFest series, an on-line film festival which sneaks documentary features in advance of their fall runs in theaters and/or on TV. Each title is available FREE on the SnagFilms site for two weeks.The lineup: The Age of Stupid (a cautionary climate change tale, mixing Pete Postelthwaite-starring sci-fi elements with documentary, news and archival footage); Shooting Robert King (young war photographer in 1993 Sarajevo); Disco and Atomic War (cheesy Western pop culture brings down the Soviet Union); Videocracy (cheesy Italian pop culture brings down the Italians); A Fighting Chance (the relentless spirit of a quadriplegic wrestling champion),  and The Socalled Movie (klezmer hip hop artist gone wild).
Check 'em out.
Inquirer Movie Columnist and Critic
We encourage respectful comments but reserve the right to delete anything that doesn't contribute to an engaging dialogue.
Help us moderate this thread by flagging comments that violate our guidelines.

Comment policy: comments are intended to be civil, friendly conversations. Please treat other participants with respect and in a way that you would want to be treated. You are responsible for what you say. And please, stay on topic. If you see an objectionable post, please report it to us using the "Report Abuse" option.

Please note that comments are monitored by staff. We reserve the right at all times to remove any information or materials that are unlawful, threatening, abusive, libelous, defamatory, obscene, vulgar, pornographic, profane, indecent or otherwise objectionable. Personal attacks, especially on other participants, are not permitted. We reserve the right to permanently block any user who violates these terms and conditions.

Additionally comments that are long, have multiple paragraph breaks, include code, or include hyperlinks may not be posted.

Read 0 comments
comments powered by Disqus
About this blog

Steven Rea has been an Inquirer movie critic since 1992. He was born in London, raised in New York City, and has lived in Los Angeles, San Francisco and Iowa City, Iowa. His column, "On Movies," appears Sundays in Arts & Entertainment, his reviews appear in the Weekend section on Fridays. He is a member of the National Society of Film Critics.

Read his most recent columns and reviews, here. He is the author of the book “Hollywood Rides a Bike,” and also curates the movie stars and bicycling photo blog, Rides A Bike.

Reach Steven at

Steven Rea Inquirer Movie Columnist and Critic
Latest Videos:
Also on
letter icon Newsletter