Saturday, May 30, 2015

Scenes of explicit sexual violence essential to "Girl with Dragon Tattoo"

"The Girl with the Dragon Tattoo's" director and star talk about the Swedish thriller's explicit scenes of rape and revenge.

Scenes of explicit sexual violence essential to "Girl with Dragon Tattoo"

"They were brutal, but they had to be,” says director Niels Arden Oplev about the twin scenes in The Girl With the Dragon Tattoo that deal with the rape and torture of the title character, played by Noomi Rapace, and then her moment of retribution: turning the tables on the man who sodomizes and abuses her. These are pivotal moments in Stieg Larsson’s international bestseller, revealing much about the pysche of Lisbeth Salander – the book’s 24-year-old cyber-hacking genius misfit heroine. And Oplev and Rapace, bringing Larsson’s thriller to the screen, felt it was essential to honor the late author’s intent.

 “It is a film about abusive behavior and violence against women,” Oplev says, by way of defending his dark and realistic sequences. "That was Stieg’s cardinal point, to expose that misogynist and sadistic element in Swedish society, and I really wanted the film to have that.… It really carries some heavy baggage.”
Oplev had originally scheduled one day for these tough pages of the script. Three days later, Rapace and Peter Andersson, who plays Lisbeth’s malevolent guardian, Nils Bjurman, were still there.
“You shoot something as horrible as that, even though we all know it’s fiction, the crew is emotionally depressed,” explains Oplev. “It’s something that puts everybody in this state of mind, it’s really unpleasant. It’s tough for the actors… I just kept extending the time to give them the chance to rehabilitate … they were bruised, physically bruised, and Noomi had nightmares.”
But like Oplev, Swedish actress Rapace recognized that to be credible, the scenes had to be explicit. “It’s always hard to be naked, even in a love scene," she says. "And during this kind of violent rape scene, it was, of course, very difficult. But for me, those scenes were so extremely important, because they said something specific about Lisbeth. The way she handles the situation afterwards, and the way she can turn the abusive feelings into anger and into strength and, in a way, power…. It says something about survival, and about how strong her decision is to live.”
Inquirer Movie Columnist and Critic
About this blog

Steven Rea has been an Inquirer movie critic since 1992. He was born in London, raised in New York City, and has lived in Los Angeles, San Francisco and Iowa City, Iowa. His column, "On Movies," appears Sundays in Arts & Entertainment, his reviews appear in the Weekend section on Fridays, and his blog, On Movies Online, can be found here. He is a member of the National Society of Film Critics.

Steven Rea's previous blog posts can be found here. Read his most recent columns and reviews, here. He is the author of the book “Hollywood Rides a Bike,” and also curates the movie stars and bicycling photo blog, Rides A Bike.

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Steven Rea Inquirer Movie Columnist and Critic
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