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Oscar-winner Danny Boyle’s “male side of cinema.”
The “127 Hours” director considers why his films always pivot around men. Is there a chick flick in his future?
In ten films now, from his first, Shallow Grave, to his latest, 127 Hours, British director Danny Boyle has shown a propensity for stories about men – or, in the case of Millions and Slumdog Millionaire, boys. He's talked about making a film with a woman as the central character ("I've got an idea for something… which could address that to a degree"), but it hasn't happened yet.