Let’s see, there’s some little thing called New Moon
opening Friday, about a moody 18-year-old in love with a palid guy whose skin gets funny in the sun, and there are, um, werewolves in it, and there’s a good little interview
with its director, Chris Weitz
, in December’s MovieMaker. Weitz, who had the unhappy job of directing another beloved book series adaptation (The Golden Compass
– he talks about that, too), doesn’t give away too much plot-wise re Twilight
, but he does explain some of his aesthetic parameters (David Lean! Akira Kurosawa!
) and also what he thinks New Moon
is getting at beyond the “bells and whistles” of the supernatural vampire stuff.
“In the case of this movie, the universal experience of being left by someone who you think is your life is not played out as in real life, where they simply don’t call you back,” Weitz tells MovieMaker’s Phillip Williams. "In New Moon, Bella has been left for her own protection and she actually can — by an act of extraordinary bravery and heroism — save the life of the person she loves, who actually loves her. Now that is the fantasy that one concocts in one’s mind when one is dumped, but it rarely gets to be played out. It’s that kind of supernatural skeleton of the movie that allows this to work.”
And on the subject of vampire pics, if you haven’t seen Near Dark (Kathryn Bigelow’s dudes-in-a-van vampire western), Let the Right One In (Swedish ’tween bloodsucker gem) or Bram Stoker’s Dracula (Francis Coppola’s operatic adaptation of the classic), they are three to definitely, er, sink your teeth into.