The New York Film Critics Circle, first out of the gate with the 2013 awards, named American Hustle, David O. Russell’s rollicking take on the Abscam scandal of the late 1970s, as the best film of the year. Here’s the complete list of the NYFFC’s kudos:
Steve McQueen, 12 Years a Slave
Eric Singer & David O. Russell, American Hustle
Cate Blanchett, Blue Jasmine
Robert Redford, All is Lost
Best Supporting Actress:
Jennifer Lawrence, American Hustle
Best Supporting Actor:
Jared Leto, Dallas Buyers Club
Best Foreign Language Film:
Blue is the Warmest Color
Bruno Delbonnel, Inside Llewyn Davis
Best Nonfiction Film:
Stories We Tell
Best First Film:
Ryan Coogler, Fruitvale Station
Best Animated Film:
The Wind Rises
Local screenings: World War II art heist drama in Chestnut Hill, plus Will Ferrell’s Buddy the elf at Philadelphia Museum
Two very different but essential films get screenings this week. Tuesday night, Dec. 3, the Chestnut Hill Film Group shows The Train, the 1964 John Frankenheimer-directed World War II art heist thriller, with Burt Lancaster as a French resistance fighter trying to thwart the Nazi’s plans to move a trove of stolen museum masterpieces from Paris to Berlin. In the wake of the recent discovery of a cache of Nazi-stolen art gems in Munich (nearly 1,500 works by Matisse, Chagall, and others), plus the soon-coming George Clooney’s The Monuments Men, about a World War II platoon assigned to retrieve priceless paintings lifted by the Nazis, The Train has renewed resonance. Never mind that it’s a great thriller. Chestnut Hill Film Group screenings are free, at the Woodmere Art Museum, 9201 Germantown Avenue. Doors open at 6:30pm, film starts at 7pm. Click here for more info
And Wednesday, Dec. 4, at the Philadelphia Museum of Art, Elf the 2003 Jon Favreau-directed Yuletide classic, will be presented in the Van Pelt Auditorium. Will Ferrell stars as a rather oversized member of Santa’s minions, who has to make some serious adjustments when he ventures from the North Pole to New York City to find his biological dad. Local boy and Elf producer Todd Komarnicki will introduce the holiday-themed film. Wednesday is the PMA’s pay-what-you-wish night. Elf starts at 6pm. Click here for more info
Jennifer Lawrence isn’t finished with 2013 yet. Box office records shattered, she’s making Oscar noise, too.
Jennifer Lawrence was paid $500,000 for her first turn as Katniss Everdeen in the then-unproven 2012 adaptation of Suzanne Collins’ young adult dystopian fantasy, The Hunger Games. For the second installment, the 23-year-old actress from Kentucky was paid $10 million. Not a bad pay raise. And not a bad investment for a film that opened to the tune of $158.1 million in ticket sales last weekend, the biggest opening ever for a November release. On top of that, Box Office Mojo ranked THG:CF's take as the sixth-biggest opening on record, and third all-time among 2D-only movies.
But Lawrence, who won the best actress Academy Award this February for her work in Silver Linings Playbook, isn’t done with 2013 yet. American Hustle, the ensemble piece inspired by the Abscam scandal of the late-'70s/early-'80s and directed by Silver Linings’ David O. Russell, had its first industry screening last weekend in Los Angeles. According to Pete Hammond at deadline.com, the audience – many of them members of the Screen Actors Guild and/or the Academy of Motion Picture Arts and Sciences – came away stoked by the roiling, rollicking tale of power, greed, crime, and an epic FBI sting operation. Here’s Hammond: “Even in this fiercely contested year, Best Picture, Director, Screenplay, Editing and Costume nods could be in the cards along with any number of possibilities for its superb ensemble including lead actor Christian Bale, lead actress Amy Adams. supporting actors Bradley Cooper and Jeremy Renner, and supporting actress Jennifer Lawrence. Especially Lawrence; she is simply dazzling as Bale’s wife, a total knockout scene-stealer throughout. If she hadn’t already won.... Best Actress for Silver Linings Playbook, there is no doubt she might be unbeatable here.”
Lawrence, who made the rounds of the talk shows last week, snuggling under a blanket with David Letterman and giving Jon Stewart a hard time, has a few more projects in the works. There’s The Hunger Games Parts 3 and 4, of course, and then there’s the Depression era Serena, with Bradley Cooper again; Bryan Singer’s X-men: Days of Future Past; the Farrelly Brothers Dumb and Dumber To, and a couple of projects she’s attached to with her first Hunger Games’ director, Gary Ross.
There’ve been some sharp movie parodies of late, like Saturday Night Live’s trailer for a Wes Anderson horror film, The Midnight Coterie of Sinister Intruders, and, well, Anderson’s splendid (kind of) self-parody, a Prada-sponsored short called “Castello Cavalcanti” starring Jason Schwartzman.
And now a crack crew of preschool programmers over at the Sesame Workshop have taken a stab at The Hunger Games: Catching Fire, encapsulating -- and shish kebobbing – the second installment in the mega-franchise. The five-minute video. “The Hungry Games: Catching Fur," gets to the essence of the movie’s conflicts and characters in short order, even incorporating the new film’s menacing monkeys and toxic fog. None other than Cookie Monster stars -- a perfectly-honed homage to Jennifer Lawrence’s Katniss Everdeen. He (well, she -- Cookie Monster has a wig on) is Cookieness Evereat, and she’s reluctantly back in the Games, even though she thought she wasn’t, joined by Pita (yes, Josh Hutcherson transformed into a piece of bread!) and some of the other “tributes”: Finnicky (a finicky eater) and Tick Tock Lady, a dead-on impression of the super-annoying Amanda Plummer from Catching Fire.
Here’s a link to the video. And may the cookies be ever in your flavor.
It’s been shuttered for more than a year, but this Friday, November 15, the Roxy Theater on Sansom Street is scheduled to re-open for business, its twin houses spruced up, with new projection and sound systems installed, and a new programming entity -- the Philadelphia Film Society -- at the helm. Officially dubbed the PFS Theater at the Roxy, the Rittenhouse Square area venue kicks off with the weekend-long International Children’s Film Festival, a mix of animated and live-action features and shorts aimed at kids and their grown-up tagalongs. Zarafa, a French feature about a boy and a giraffe, and the giraffe’s travels from Africa to France in the 1820s, is the Friday night opener. A fanciful retelling of a true story, the Gallic ‘toon was released in its homeland last year, winning over audiences with its traditional animation style – rich colors, widescreen landscapes – and tales of exotic derring-do. The kid fest continues Saturday and Sunday, with programs of shorts, with animated features from Italy (a new Pinocchio) and Japan (Wolf Children, Welcome to the Space Show) and live-action features from China (Starry Starry Night) and Belgium (the closing night kid-detective caper, The Zigzag Kid).
Also on the docket in the PFS’ inaugural run: Caucus, AJ Schnack’s well-received doc about the 2012 Republican Party presidential primary season -- and specifically the all-important Iowa caucus campaigns. Who doesn’t want to re-live the thrilling days of yesteryear, as eight starry-eyed presidential wannabes -- Michelle Bachman, Rick Perry and Rick Santorum among them -- troop around the state trying to curry favor with Tea Party zealots and the Republican faithful? Spoiler alert: some guy named Mitt Romney wins. Oops, actually, it's Santorum who wins when the ballots are all tallied!
Pagans unite! A restored version of the 1973 Christopher Lee cult classic The Wicker Man opens Friday. Will you send a dinghy, please?
It’s Harvest Festival time on Summerisle, a tiny island off the coast of Scotland, but amid all the dancing and prancing and naked coupling in the garden behind the pub, things are getting a wee bit strange. Or so, at least, it seems to Sgt. Neil Howie (Edward Woodward), an upright policeman and devout Christian who has flown his seaplane from the mainland to investigate the disappearance of a teenage girl.
Thus begins The Wicker Man, Robin Hardy’s nutty celebration of heathenism, procreation, Celtic music, fertility rites, human sacrifice, new-fanglerd farming techniques, animal masks and a naked, bum-slapping Brit Ekland. With a script by Sleuth scribe Anthony Shaffer, the British indie, shot in and around a cluster of lovely little Scottish villages and on the Isle of Whithorn, bombed when it came out in 1973, but soon found its ardent fans. In 1979, the film -- with Christopher Lee as the Dionysian noble Lord Summerisle, and a bevy of actresses (Bond girl – and Sean Connery spouse – Diane Cilento, Hammer Horror gal Ingrid Pitt) ) – was hailed as “the Citizen Kane of horror movies” by Cinefantastique magazine. To celebrate its 40th anniversary, Rialto Films has issued a restored version, opening Friday, Nov. 8, at the Ritz Bourse.
The new edit, approved by director Hardy, incorporates a scene when Woodward’s sarge first spies Lee’s Summerisle performing a rather randy ballad, “Gentle Johnny,” for the publican’s saucy siren of a daughter. (Ekland’s singing was dubbed by Annie Ross, of the jazz trio Lambert, Hendricks and Ross.) There are other, grainier, inserts, too, including cutaway shots of snails in the throes of commingling.
Stephen and Timothy Quay, originally from Norristown, graduates of the University of the Arts (class of ’69) and longtime residents of London, England, return to their old stomping grounds on Monday, Nov. 4, to show off their latest short, “(UN)MISTAKEN HANDS: EX VOTO F.H,” at the Arts Bank, Broad and South Streets. The sibling duo, experimental filmmakers who work in stop-motion animation, using puppets, dolls and the detritus of everyday life, were artists in residence a few years back at the Mutter Museum, where they made a very artsy promo film for the one-of-a-kind medical history storehouse.
The Arts Bank evening, sponsored by the Quays’ alma mater, begins at 6 p.m. with a screening of their 2010 adaptation of Stanislaw Lem's "Maska," followed by the premiere of their new film and ending with a Q&A -- or Quay & A. "[UN]MISTAKEN HANDS: EX-VOTO F. H." revolves around the work and life of Uruguayan pianist and writer Felisberto Hernández, often cited as "the father of magic realism.”
The Quay event is free and open to the public. Info here.
Philadelphia Film Festival 22 can’t get any more Philly than it does Saturday, in the closing weekend program at the Prince Music Theater. Starting at noon and ending close to midnight, five features in the fest’s “Greater Filmadelphia” program screen back to back to back (to back to back), offering fiction and non-fiction takes on the city, its surrounding environs and the people who sprung from the area. Here’s the lineup, in screening order:
TOWN HALL -- Sierra Pettengell and Jamila Wignot’s documentary closeup of Tea Party activists during the 2012 campaign focuses on Berks County salesman-turned-conservative crusader John Stahl and Katy Abram, a stay-at-home mom who becomes a policy analyst at Americans for Prosperity.
LET THE FIRE BURN – Jason Osder’s formula-busting doc takes a new look at the devastating events of May 13, 1985, when the city dropped an incendiary device on the MOVE compound in West Philadelphia, resulting in the deaths of 11 people and the destruction of 61 homes. A new and innovative use of old archival footage, TV news and police video tells a chilling tale.