Here's some fairly amazing video featuring former corporate raider Asher Adelman, telling a perplexed CNBC reporter that the Occupy Wall Street folks have a point.
Back in the 1970s and 80s, Adelman was the LBO specialist who used "The Art of War" to guide his business deals, and was one of the people Oliver Stone used as his model for Gordon Gekko.
Adelman's now in a financier in the art world, and in sympathy with the anti-Wall Street protests. He's spent a couple days walking among the activists, giving them pointers on how to articulate their grievances. He's particularly incisive on the TARP loans -- arguing that TBTF banks paid back money we lent them by using money we gave them. Big banks, he notes, borrowed from FED for free, bought Treasuries at 2 or 3 percent, pocketed the difference, booked huge profits, and used them to make good on their TARP loans. He further argues that the FED's QE1 and QE2 were also thinly veiled TBTF handouts.
Emilion Estevez indie "The Way" expands its run in the Philadelphia area this Friday, adding several screens (including The County, Edgemont Square, Brandywine, Towne Stadium, King of Prussia, Hamilton, Warrington Crossing).
Estevez wrote and directed "The Way," and put dad Martin Sheen in the lead as a father who grieves for a son by taking Spain's Camino pilgrammage, an 800-kilometer trek that concludes with a mass at Santiago cathedral. He shot it on location in Spain and France, and raised some of the money there.
Hollywood wasn't that interested.
Hugh Jackman's boxing robot movie made nearly $30 million over the weekend, trouncing George Clooney's "The Ides of March" ($10 million).
BO Mojo reports that "Real Steel" had the best opening ever for a boxing movie -- besting the $20 million of "Rocky 4."
But is it a boxing movie? I'd say 25 percent boxing, 75 percent sci fi robot brawl, which would place it in more of a "Transformers" genre, where it's no threat to break any record.
The Crowd-pleasing "Fast Five hits DVD this week, one of the better outings in the franchise, with director Justin Lin keeping over-the-top action just this side of ridiculous.
Quentin Tarantino has another special edition of "Pulp Fiction" on Blu Ray, with brand new cast interviews and critics' appreciation. Tarantino's "Jackie Brown" also hits Blu ray. THere's a blu-ray of the zombie movie that made Peter Jackson sort of famous, "Dead Alive." Also "Lion King," coming off its phenomenal theatrical re-release.
Keep an eye out for 'Submarine," a better-than-average teen coming-of-age comedy/drama featuring Sally Hawkins and Noah Taylor.
"Transformers: Dark of the Moon" hits DVD this week, and although fans were generally satisfied, I see no point continuing this series without Megan Fox.
The highlight for me was always the sequence featuring Ms. Fox running from a robot fight in slow motion. Without Megan in the foreground, I am left with only the robot fight, and the appeal of this spectacle remains elusive to me.
Speaking of spectacle, this week also marks the release of a restored "Ben Hur," and not some over-hyped restoration, but a real one. It's a worthwhile upgrade of one of Hollywood's great visual feats.
The good news is that "Moneyball" opened with the second best weekend ever for a baseball movie.
The bad news is that the best weekend ever for a baseball movie belongs to "Benchwarmers," which went on to gross $59 miillion.
"Moneyball" also couldn't displace the re-issue of "The Lion King," and barely beat out "Dolphin Tale," which earned an A+ from audiences tracked by Cinemascore and looks poised for a healthy run.
"Bridesmaids" arrives on DVD after making $170 million in theaters on strong word-of-mouth -- the movie never actually ascended to number one.
Judd Apatow produced, and this time he assembled a cast of female stand-ups and improv comediennes to rival anything in his 'dude" comedies. Kristen Wiig and Rose Byrne compete for maid of honor status at Maya Rudolph's wedding, with support from Melissa McCarthy, Wendi McClendon Covey, others.
As with most comedies from the Apatow factory, this one may suffer a bit on DVD -- the director's cuts tend to lack the editing discipline of the theatrical version, and "Bridesmaids" was plenty long already.
When Jonah Hill was in town to talk about his role in "Moneyball" opposite Brad Pitt, I asked him if Pitt -- so funny in his "True Romance" cameo -- had ever been approached to star in one of the Judd Apatow comedies.
Hill: "'True Romance' is where the idea for 'Pineapple Express' came from. Judd looked at those scenes and went, "What's that guy's story?'"
Hill pointed out Apatow likes to take secondary characters from one movie and spin them off as leads in another -- "Get Him to the Greek" derives from "Forgetting Sarah Marshall." Hill noted that Apatow is making a movie built around the Paul Rudd and Leslie Mann characters from "Knocked Up."