Thursday, March 26, 2015

Archive: April, 2012

POSTED: Monday, April 30, 2012, 8:44 AM

Waiting in North Philadelphia for Prince Edward (offically, His Royal Highness The Prince Edward Antony Richard Louis, Earl of Wessex, Viscount Severn, Royal Knight Companion of the Most Noble Order of the Garter, Knight Grand Cross of the Royal Victorian Order, Aide-de-Camp to Her Majesty... and seventh in the line of succession to the British Throne) to arrive for luncheon and ceremonial tree planting at Girard College, during his two-day visit to Philadelphia last week.

So call this one a royal-in-waiting version, in the series "spanning the tri-state region to bring you the constant variety of headshots..."

POSTED: Sunday, April 29, 2012, 11:56 PM

I've made dozens of videos since starting using them a few years ago. And I've made mistakes on every single one of them. But I've also learned something from each of the mistakes. The biggest lesson, one I am reminded of every single time I shoot a video, is the importance of good sound. Both the quality and the content. My latest video - an opera flash mob - had automatic content, but it was in the quality where I'd come up short.

Opera singers usually stand on a stage and produce a sound that fills the entire room (or cavernous concert hall). Audio recording engineers usually do NOT place their microphones anywhere close to that really loud and wide dynamic range sound source. My microphone? Not too far from their faces, on the hot-shoe of my Nikon D-7000 (with a shock-mount & windscreen) wtith a 20mm lens (in the tight crowd).

But the sound wasn't really the lesson learned this time. This time, in the three minute "flash Performance" by the the Opera Company of Philadelphia among the cheesesteak-eaters outside Geno's in South Philadelphia, I realized why live performances are usually always covered with multiple cameras. There is not much I can do about that the next time, so maybe it's not a lesson learned. I'll just call it a lesson appreciated.

POSTED: Monday, April 9, 2012, 3:36 PM

We didn't have much of a winter this year, but what a spring it has been.

That's the first few seconds of the rush to scoop up 25,000 (yes, the comma's in the right place) Easter eggs on the football field at Cherry Hill West High School yesterday. Find more photos here, and a time-lapse video here (you can see me at the 20-second mark taking the picture at left).

POSTED: Wednesday, April 4, 2012, 11:55 AM

The Inquirer, Daily News and were sold on Monday. If this is news to you, read about it here.

I covered the "meet the new owners" hoagie & canned soda lunch in our Broad Street lobby yesterday.

But enough about them. I was thrilled to see a really huge blowup of MY PHOTO in the front window (facing out to street). It's a young man outside the Mayfair Diner at night, peeking in to check the score on the TV as the Phillies were clinching their division title in 2010.

POSTED: Monday, April 2, 2012, 11:29 AM

Legendary sports photographer Rich Clarkson will be courtside for his 57th NCAA Championship game tonight when Kentucky and Kansas face off. He was on CBS This Morning earlier today. Click here, or on the photo to see the clip.

Besides being a sports photographer (Sports Illustrated,Time and LIFE), Clarkson has been a Director of Photography (National Geographic, Denver Post and Topeka Capital-Journal); mentor (dozens of members of his staff and interns were - or became - Newspaper or Magazine Photographers of the Year and Pulitzer Prize winners); and leader (he served as a president of the National Press Photographers Association and is a founding officer of the NPPA Foundation).

About this blog

Tom Gralish is a general assignment photographer at The Inquirer, concentrating on local news and self-generated feature photos.

He has been at the paper since 1983, photographing everything from revolution in the Philippines to George W. Bush’s road to the White House to homeless people living on the street right outside his newspaper's front door. For his photo essay on Philadelphia’s homeless, he was awarded both the Pulitzer Prize and the Robert F. Kennedy Award.

His weekly newspaper column, "Scene Through the Lens," takes a look at Philadelphia's urban landscape.

Gralish, along with Inquirer colleague and Pulitzer Prize-winning writer Michael Vitez, spent a year visiting the Philadelphia Museum of Art to capture the stories and photos of "Rocky runners" who come from all over the world to climb the steps - just as Sylvester Stallone did in the Academy Award winning film, Rocky. Their book, Rocky Stories: Tales of Love, Hope and Happiness at America’s Most Famous Steps, was published in November 2006.

Reach Tom at

Tom Gralish Inquirer Staff Photographer
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