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POSTED: Tuesday, July 16, 2013, 11:55 PM

Shooting in the city, I like to include pigeons in photos when possible. At the Jersey Shore, I wait for gulls to pass through my viewfinder.

I was on assignment yesterday in Ocean City for an upcoming story on the 100th anniversary of the country's oldest continuously operating fishing club - The Ocean City Fishing Club, which owns a pier that extends 635 feet southeast from the boardwalk (they have a live webcam).

After photographing some members fishing, I took advantage of being on their pier to shoot some First-Day-of-the-Heat-Wave photos. It was an opportunity to use a different vantage point - looking back toward the beach from over the water - than most of the photos I'd shot there over the past thirty years.

POSTED: Monday, July 1, 2013, 10:36 AM

So, just a few days afer talking about repeating oneself, I find myself shooting another one:

The day after the U.S. Supreme Court rulings, I covered a rally by supporters of marriage equality at the New Jersey Statehouse in Trenton.

I know my editors always want a crowd shot, and you have to shoot the main speakers - here it is Barbara Buono, the Democratic gubernatorial candidate and state senator from Middlesex County - at any assignment with a group, including both sides of an issue, if present.

POSTED: Monday, June 24, 2013, 7:30 AM

It's hard not to shoot the same photo again every 17 years or so.

As I approach my 30th anniversary of starting work at the Inquirer, I am reminded of that all the time.When you've been in one place for a while you can't help repeating yourself.

This week I ended up shooting a little bit of the World Championship of Sand Sculpting on the beach in Atlantic City. I'd gone there to photograph a Miss America press conference (the scholarship pageant returns to A.C. after seven years in Las Vegas).

POSTED: Monday, May 27, 2013, 11:55 PM

(Memorial Day "Giant Flag Folding" activity for National Constitution Center visitors, on their front lawn on Independence Mall Sunday, May 27, 2013)

Back at home from a Memorial Day day-off spent with my family,I was just looking through Time Magazine's LightBox gallery, at the photographs of Baltimore-based free-lance photographer Steve Ruark. Shooting mostly for the Associated Press, he has made 278 trips to Dover Air Force Base in Delaware, covering the return of 490 fallen troops. His pictures are incredible. It is remarkable how he found so many ways to make each and every one a unique photograph, especially considering the restrictions placed on the media: stay in the same spot and do not photograph family member. Ruark, who has probably seen more of these brief ceremonies, known as dignified transfers, than any other civilian, tells Time writer Nate Rawlings that sharing his images is part of a crucial undertaking: “If something’s not photographed, it’s easy to deny...It’s a fact that Americans are getting killed overseas. Making people look at it makes them weigh the costs."

Like most Americans today, owing to the demographics of our all-volunteer military, I don't have any family or good friends in the service. So it's easy not to have to think about the risks they face every day.

POSTED: Monday, April 22, 2013, 2:22 AM

Just as after Columbine, 9-11, Oklahoma City, Sandy Hook Sandy Hook Elementary, or Aurora, getting back a sense of normalcy was important after the Boston Marathon bombings. Continuing to do what we do every day gives us a sense of security after those terrible things happen to people while doing just that: going to school, working in a high rise building, dropping kids off at daycare, seeing a movie, or going to watch friends and family run in a race.

I took a lot of comfort this week in photographing the day to day happenings at schools, senior centers, and neighborhoods.

POSTED: Monday, April 15, 2013, 10:19 AM

One of the dangers of infrequent blog posting: a lot of stuff inside busting to get out...

The T-Rex was around the corner from a New Jersey Natural Gas crew. The discarded ball, at a high school baseball practice

POSTED: Thursday, July 5, 2012, 2:49 PM

With about 200 members of the national Occupy movement convening in Philadelphia over the 4th of July for what they called the "Occupy National Gathering," the elevated police presence was noticeable during the Independence Day parade through the Historic District.

I've covered parades here - from the Mummers to the Polish to the Thanksgiving Day - for almost thirty years, and this was the first time ever the cops wouldn't allow photographers to walk along the route on the inside of the barriers. Or step inside to photograph participants head-on. Even with our City-issued Wawa Welcome America! press credential, the police wouldn't permit us to cross Market Street.

To get from Independence Hall to the Independence Visitor Center (where I'd stashed my laptop) across the street everyone had to either walk up or down five blocks, then cross walk back, or do like I and a bunch of other tourists did; take the subway to 2nd St. get out, cross over the platform, and take another train back to 5th St.

POSTED: Thursday, July 5, 2012, 11:45 PM

This has been a bittersweet week here in the alabaster tower on North Broad Street, as the Inquirer - and Daily News - make final preparations to move ino a smaller space in the old Strawbridge & Clothier Department store building at 9th and Market Streets.

I first visited The Inquirer Building in 1983, coming to Pennsylvania from Kansas City to visit my wife's family. In Philadelphia for the day, my new bride and her mother went shopping at Wanamakers, and I decided to walk to the Inquirer to visit a couple photographers I knew who worked there. I often stopped in at newspaper photo departments when I traveled. I was working for United Press International and had met many photographers while covering sporting and news events around the country.

It was an easy walk, impossible to get lost. You walked toward the tallest building to the north - then afterwards, walk back toward the tallest building to the south - City Hall, right next to Wanamaker's.

About this blog

Tom Gralish is a general assignment photographer at The Inquirer, concentrating on local news and self-generated feature photos.

He has been at the paper since 1983, photographing everything from revolution in the Philippines to George W. Bush’s road to the White House to homeless people living on the street right outside his newspaper's front door. For his photo essay on Philadelphia’s homeless, he was awarded both the Pulitzer Prize and the Robert F. Kennedy Award.

His weekly newspaper column, "Scene Through the Lens," takes a look at Philadelphia's urban landscape.

Gralish, along with Inquirer colleague and Pulitzer Prize-winning writer Michael Vitez, spent a year visiting the Philadelphia Museum of Art to capture the stories and photos of "Rocky runners" who come from all over the world to climb the steps - just as Sylvester Stallone did in the Academy Award winning film, Rocky. Their book, Rocky Stories: Tales of Love, Hope and Happiness at America’s Most Famous Steps, was published in November 2006.

Reach Tom at

Tom Gralish Inquirer Staff Photographer
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