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Thursday, July 9, 2009
Doris as torch singer Ruth Etting in "Love Me or Leave Me."

On Sunday Philadelphia Qfest (formerly the Philadelphia Gay and Lesbian Film Festival) celebrates Doris Day with a screening of the documentary What a Difference a Day Made: Doris Day Superstar, followed by a showing of her best known film, Pillow Talk, a mistaken sexual-identity comedy famously co-starring Rock Hudson, a closeted gay actor, as a studly Romeo pretending to be a gay man in order to get the virginal Day into the sack.

While I love Day, she's a more interesting actress than she is in this popular comedy that made her a national joke. (Of this chirpy confection, funnyman Oscar Levant quipped, "I knew Doris Day before she was a virgin." ) Those who want to understand why Day, four times married and the mother of the late music producer Terry Melcher, is a gay icon should rent Calamity Jane, the 1953 musical about the mannish pistol-packin' gal in buckskins surprised to find herself attracted to... a man (Howard Keel as Wild Bill Hickock).  In this gender-confusion comedy, Calamity trades her britches in for a girly dress and tenderly sings the ballad, "Secret Love," which became a gay and lesbian anthem. A key component to the charm of the film and its lead is in how Calamity learns to honor her masculinity and femininity.

A hugely popular band singer of the 1940s, Day (born Doris van Kappelhoff in 1924) recorded the torchy World War II ballad "Sentimental Journey" before reluctantly transitioning into a screen career. Cashing in on her tomboy charm, Warner Brothers cast her in a number of sunny musicals in which she played a wholesome Ginger Rogers type, corn-tasseled hair and cornflower-blue eyes.  Day established her acting bona fides by wedding sunshine and stormy weather  in the films Young at Heart, The Man Who Knew Too Much and Love Me or Leave Me, three extraordinary performances where her singing deepens the drama. She was also terrific opposite John Raitt in the screen version of The Pajama Game, as the sexiest shop steward in union history. Day, an animal activist who lives in Carmel, is a national treasure who deserves to be celebrated for her breadth and depth, and not only her camp appeal. The late novelist John Updike spoke of her as his favorite actress and lifelong crush object. He interpolated her biography into his underknown novel, In the Beauty of the Lilies.

Are you a Day fan? Favorite performance? Recording?

Posted by Carrie Rickey @ 6:01 PM  Permalink | 6 comments
Comments   
Posted 10:02 PM, 07/09/2009
wwolfe
I'm a big Doris Day fan, for the reasons you express here. If you haven't read it, I'd recommend "Considering Doris Day," a perceptive biography of her film and recording career. My favorite screen performances are probably "Love Me or Leave Me" - her lack of an Oscar nod strikes me as one of the notable failures of the Academy - and "Teacher's Pet," a very underrated romantic comedy from a terrific Fay Kanin script, with great chemistry between Day and Clark Gable. Among her recordings, I think my favorite is the "Day by Night" album, a perfect expression of romance through song.
Posted 10:12 PM, 07/09/2009
Pash
Bravo, Carrie! Wonderful tribute. I have to put in a second vote for "Teacher's Pet," and her bracing feminist turn in "The Pajama Game" remains revelatory for me. "It Happened to Jane," dismissed when it was released, has grown in stature with the rediscovery of its director, Richard Quine, and Day is wonderful in it as a flinty, assertive working mother. (It always amazes me how so many people miss the feminism in her performances.) The scene in "Jane" in which she finesses Jack Lemmon into proposing to her is as funny as it is endearing. Three other favorites: "Midnight Lace" and the Norman Jewison twins, "Send Me No Flowers" and "The Thrill of It" (the latter boasting a very acerbic script by Carl Reiner which good-naturedly pokes fun at advertising).
Posted 10:18 AM, 07/10/2009
carrierickey
Wwolfe and Pash: I, too, love "Teacher's Pet," with Doris as a journalism teacher who doesn't know that her star student, Clark Gable, is a professional journalist. It also has a hilarious number -- is it with Eydie Adams? -- as a stripper who sings "The Gal Who Invented Rock'nRoll."
Posted 12:23 AM, 07/12/2009
jay johnstone
A real tomata.
Posted 04:37 PM, 07/12/2009
Pash
No, Carrie, it was Mamie Van Doren who sang "The Gal Who Invented Rock'n Roll."
Posted 01:25 PM, 07/14/2009
garyk
I love LOVE ME OR LEAVE ME. Even if you don't like Day, she's GREAT in that film.
6 comments
About Carrie Rickey

Carrie Rickey has been The Philadelphia Inquirer’s film critic for 21 years. She has reviewed films as diverse as Water and The Waterboy, profiled celebrities from Lillian Gish to Will Smith, and reported on technological breakthroughs from the video revolution to the rise of movies on demand. Her reviews are syndicated nationwide and she is a regular contributor to Entertainment Weekly. Rickey’s essays appear in numerous anthologies, including The Rolling Stone History of Rock & Roll, The American Century, and the Library of America’s American Movie Critics.

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