There's something about Paul Manship's Duck Girl sculpture in the fountain at Rittenhouse Square that makes people dress her for the holidays. Here, she's all decked out for the Easter Parade with her own duck - and a visitor.
Inga Saffron believes there is architecture and there are places, and you can’t write about one without writing about the other.
Since becoming the Inquirer’s architecture critic in 1999, she has been just as likely to turn her eye toward Philadelphia’s waterfronts and sidewalks as to the latest glittering skyscraper. She is drawn to projects of all sizes and shapes, but especially those that form the backdrop of our daily lives.
Inga Saffron came to architecture criticism after five years as a foreign correspondent in Russia and Yugoslavia, where she covered two wars and was a witness to the destruction of two great cities, Sarajevo and Grozny. She was a finalist for the Pulitzer Prize in criticism in 2004, 2008 and 2009.