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Inquirer Daily News

Archive: September, 2011

POSTED: Friday, September 30, 2011, 6:20 PM

UPDATE, 6 a.m. Saturday: Kimmel Center workers are on strike, according to Kimmel leaders. The Kimmel, Academy of Music and Merriam Theater are shut down. Talks between the Kimmel and union representing stagehands, ushers, box office and wardrobe workers are expected to continue Saturday afternoon.

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Previously:

POSTED: Friday, September 30, 2011, 12:03 AM
About 150 union members representing stagehands, wardrobe and box office workers, and ushers at the Academy of Music, the Kimmel Center and the Merriam Theater held a vigil Thursday night in front of the Kimmel Center, where a k.d. lang concert was being held. The contract for their union, the International Alliance of Theatrical Stage Employees, expires at 12:01 a.m. Saturday, potentially disrupting scheduled performances of the Opera Company of Philadelphia - whose season opener. "Carmen," begins its run Friday night - as well as the Philadelphia Orchestra and other groups. Kiimmel Center president and CEO Anne Ewers said Thursday that the Kimmel Center-managed properties will shut down if the union strikes. Talks are scheduled to continue all day Friday. (Peter Dobrin / Staff)

Frustrated by a lack of progress in contract talks, about 150 members of the union representing the city’s theatrical ushers, box office staff, stagehands and wardrobe workers held a noisy, if well-behaved, demonstration Thursday night in the middle of Broad Street in front of the Kimmel Center.

With their contract with the Kimmel up at 12:01 Saturday morning, local leaders of the International Alliance of Theatrical Stage Employees said they were prepared to shut down the Kimmel, Academy of Music and Merriam Theater – all managed by Kimmel Center Inc. - if a deal cannot be reached.

A strike authorization vote of all 1,100 members of the union local was unanimous, said Michael Barnes, business agent for IATSE Local 8.

POSTED: Thursday, September 29, 2011, 11:04 AM

The Philadelphia Orchestra Association is seeking a loan to help fund operations through the end of its bankruptcy case.

The Association has applied to U.S. Bankruptcy Court for permission to assume $3.1 million in debt to pay operating costs, including salaries and vendor bills.

“Unless these expenses are paid, the Debtor will be forced to cease operations, which would likely result in irreparable harm to its organization and jeopardize the Debtor’s ability to reorganize and maximize value for all interested parties,” the Association states in papers filed Wednesday.

POSTED: Wednesday, September 28, 2011, 2:40 PM

One major plank of the Philadelphia Orchestra Association’s bankruptcy case fell into place Wednesday with the court’s approval of a severance agreement between the orchestra and Peter Nero and the Philly Pops.

Optimism was ventured on other fronts in the Chapter 11 case. Though the association was still far from resolution with musicians over a new labor deal, talks are coming to a head this weekend. Mediation with Stephen Raslavich, chief judge of U.S. Bankruptcy Court, Eastern District of Pennsylvania, is set to continue Sunday and Monday.

“[Raslavich] said to bring sleeping bags — no one is leaving until it gets resolved,” association bankruptcy lawyer Lawrence G. McMichael told Eric L. Frank, the judge considering the bankruptcy petition.

POSTED: Thursday, September 22, 2011, 5:20 PM

The founder of Miami City Ballet will leave the company at the end of the 2012-13 season, the troupe announced Thursday.

Edward Villella - who started the company in 1985 in South Beach - said in a statement:

"My ambition from the start was to give Miami and South Florida a major dance company; my strategy was to proceed carefully and steadily, evolving rather than over-extending. Today it's no longer a fledgling operation with a limited repertory (almost entirely Balanchine) and an even more limited budget. Instead, it's a 45-plus group of brilliant dancers and has a range of ballets that stretches from the classics – Giselle, Coppélia, Don Quixote, Romeo and Juliet – to the choicest works by Balanchine's greatest successors (Jerome Robbins, Paul Taylor, Twyla Tharp). And recently we've been fortunate enough to be in a position to commission new works – the heart of every ballet company – from masters like Tharp and Alexei Ratmansky to Liam Scarlett, the youngest choreographer ever to be invited to create a new work for the main stage of Britain's Royal Ballet."

POSTED: Monday, September 19, 2011, 4:16 PM

The Philly Pops lives.

Peter Nero and the pops orchestra he leads have agreed to split from the Philadelphia Orchestra Association, terminating a six-year experimental merger that was bumpy from the start, stormy at the end, and never fully consummated.

Under the terms of the separation, the Pops will receive a $1.25 million settlement from the Association to fund future operations. The Association will continue to provide office space and a certain amount of organizational support to the Pops through June.

POSTED: Monday, September 12, 2011, 1:55 PM

My colleague David Patrick Stearns says the best concert of the Philadelphia Orchestra's recent tour of Europe was the one in Paris.

The program: Glinka Rouslan et Ludmila Ouverture; Ravel Concerto en Sol majeur; and Berlioz Symphonie fantastique. Charles Dutoit conducts.

Lucky us, we can listen here. After you follow the link, hit the button that says "(ré)écouter."

POSTED: Sunday, September 11, 2011, 4:47 PM

In case you're not in the habit of scanning the European press, here are some reviews from the Philadelphia Orchestra's three weeks in Germany, Switzerland, Ireland, Austria, Scotland, England and France. The music press doesn't agree on much, but there was something of a consensus from this tour, which, if it had a title, would have to be the Love and Triumph Tour.

Musicians return home Sunday. If you happen to run into a member of the ensemble, you might consider extending your hand and hearty congratulations.

Here are some links to English-language reviews:

About this blog

Peter Dobrin is a classical music critic and culture writer for The Inquirer. Since 1989, he has written music reviews, features, news and commentary for the paper, covering such topics as the Philadelphia Museum of Art at the Venice Biennale, expansion of the Curtis Institute of Music, the Philadelphia Orchestra's bankruptcy declaration in 2011, Philadelphia's evolving performing arts center and the general health of arts and culture.

Dobrin was a French horn player. He earned an undergraduate degree in performance from the University of Miami, and received a master's degree in music criticism from the Peabody Institute of the Johns Hopkins University, where he studied with Elliott Galkin. He has no time to practice today.

Reach Peter at pdobrin@phillynews.com.

Peter Dobrin Inquirer Classical Music Critic
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