“Formalities must be shattered to open up classical music to a younger audience.”
So says conductor Vladimir Jurowski, who conducts the Orchestra of the Age of Enlightenment Friday night at the Roundhouse in Camden (the Camden across the pond, that is, not the one across the river).
"It will be the first in a season of 'rules-free' concerts that allow audiences to talk, drink and move about in non-seated areas as they would at a rock gig," reports the London Evening Standard.
In case your snow-thwarted paper carrier prevented you from being able to read an update on the Philadelphia Orchestra's music director search, here's the latest.
Conductors, these days especially, have to be more than musicians. They are advocates, teachers and, in a substantive way, cheerleaders for the art form. Vladimir Jurowski, who guest conducts the Philadelphia Orchestra this week, has a couple of charismatic gifts unseen by the public during his previous visits here.
In this clip (from 2003) of him speaking about Die Fledermaus, he not only proves an elegant pianist, but also an insightful thinker. It's clear Jurowski is a conductor who makes interpretive choices based on clues in the score and deep consideration. Listen to five minutes of what he has to say about Fledermaus and you'll never hear the piece the same way again.
Jurowski leads the orchestra Thursday, Friday and Saturday in Stravinsky's Scherzo Fantastique, the Tchaikovsky Violin Concerto with the astonishing young violinist Sergey Khachatryan and one of the lesser-heard symphonies of Prokofiev, the No. 4.