Saturday, December 20, 2014

Philadelphia Tenor Costello Wins Richard Tucker Award

Just in time for his next Philadelphia appearance, locally born and trained tenor Stephen Costello has been awarded one of the top honors for up-and-coming opera singers: The Richard Tucker Award. Past winners include Eric Cutler, Matthew Polenzani, Joyce DiDonato, Stephanie Blythe, Deborah Voigt and David Daniels. The choice is not great surprise. Costello, 27, has long been the subject of attention from the Richard Tucker Foundation, having been awarded a study grant at 24 and career grant at 25. However, the choice for this year's top award came from a six-member panel that changes each year. The 2009 version included representatives from the Houston, Dallas, Chicago, St. Louis and Metropolitan opera companies. Foundation spokesman Peter Carwell emphasized that the choice of Costello was based on much more than voice. "They felt that he's not just a singer, he's an artist," he said. The award was also based on a perception that the tenor is headed for a major career. Typically, the top Tucker award consolidates careers - and that's the case with Costello, who had a major milestone last summer when he made his debut at the Salzburg Festival in Verdi's Otello, singing the role of Cassio under Riccardo Muti. The production was beamed out to movie theaters around the world, showing off not only his youthful lyric tenor but his great strides as a stage presence. Unlike many tenors, Costello didn't take the conservatory route. The Northeast Philadelphia native went from George Washington High School to the University of the Arts. From there, he lept to Philadelphia's Academy of Vocal Arts, which is often more about finishing vocal talent than developing it. There, he met his wife, soprano Ailyn Perez, who is often his leading soprano. The couple is the talk of opera chat rooms, in which fans are planning to hear their next joint appearance, Puccini's Gianni Schicchi April 24-May 3 at the Academy of Music, produced by Opera Company of Philadelphia. The company also has the pair contracted for Gounod's Romeo et Juliette in the 2010-2011 season. Costello's string of local credits includes performances at the Academy of Vocal Arts, from which he graduated in 2007, the same year as his Metropolitan Opera debut in Lucia di Lammermoor. He has forthcoming debuts at many of the great opera companies - including the Glyndebourne Festival, Vienna State Opera and San Francisco Opera - and also sings the role of Ishmael in the world premiere of Jake Heggie's opera, Moby Dick, at the Dallas Opera in the 2010-11 season. The Tucker foundation is currently negotiating with Lyric Opera of Chicago to release him from his previously scheduled obligations in The Merry Widow so that he can appear at the Nov. 22 all-star Richard Tucker Foundation Gala at Lincoln Center. - David Patrick Stearns

Philadelphia Tenor Costello Wins Richard Tucker Award

Just in time for his next Philadelphia appearance, locally born and trained tenor Stephen Costello has been awarded one of the top honors for up-and-coming opera singers: The Richard Tucker Award. Past winners include Eric Cutler, Matthew Polenzani, Joyce DiDonato, Stephanie Blythe, Deborah Voigt and David Daniels. The choice is not great surprise. Costello, 27, has long been the subject of attention from the Richard Tucker Foundation, having been awarded a study grant at 24 and career grant at 25. However, the choice for this year's top award came from a six-member panel that changes each year. The 2009 version included representatives from the Houston, Dallas, Chicago, St. Louis and Metropolitan opera companies. Foundation spokesman Peter Carwell emphasized that the choice of Costello was based on much more than voice. "They felt that he's not just a singer, he's an artist," he said. The award was also based on a perception that the tenor is headed for a major career. Typically, the top Tucker award consolidates careers - and that's the case with Costello, who had a major milestone last summer when he made his debut at the Salzburg Festival in Verdi's Otello, singing the role of Cassio under Riccardo Muti. The production was beamed out to movie theaters around the world, showing off not only his youthful lyric tenor but his great strides as a stage presence. Unlike many tenors, Costello didn't take the conservatory route. The Northeast Philadelphia native went from George Washington High School to the University of the Arts. From there, he lept to Philadelphia's Academy of Vocal Arts, which is often more about finishing vocal talent than developing it. There, he met his wife, soprano Ailyn Perez, who is often his leading soprano. The couple is the talk of opera chat rooms, in which fans are planning to hear their next joint appearance, Puccini's Gianni Schicchi April 24-May 3 at the Academy of Music, produced by Opera Company of Philadelphia. The company also has the pair contracted for Gounod's Romeo et Juliette in the 2010-2011 season. Costello's string of local credits includes performances at the Academy of Vocal Arts, from which he graduated in 2007, the same year as his Metropolitan Opera debut in Lucia di Lammermoor. He has forthcoming debuts at many of the great opera companies - including the Glyndebourne Festival, Vienna State Opera and San Francisco Opera - and also sings the role of Ishmael in the world premiere of Jake Heggie's opera, Moby Dick, at the Dallas Opera in the 2010-11 season. The Tucker foundation is currently negotiating with Lyric Opera of Chicago to release him from his previously scheduled obligations in The Merry Widow so that he can appear at the Nov. 22 all-star Richard Tucker Foundation Gala at Lincoln Center. - David Patrick Stearns

Peter Dobrin Inquirer Classical Music Critic
About this blog

Peter Dobrin is a classical music critic and culture writer for The Inquirer. Since 1989, he has written music reviews, features, news and commentary for the paper, covering such topics as the Philadelphia Museum of Art at the Venice Biennale, expansion of the Curtis Institute of Music, the Philadelphia Orchestra's bankruptcy declaration in 2011, Philadelphia's evolving performing arts center and the general health of arts and culture.

Dobrin was a French horn player. He earned an undergraduate degree in performance from the University of Miami, and received a master's degree in music criticism from the Peabody Institute of the Johns Hopkins University, where he studied with Elliott Galkin. He has no time to practice today.

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