Monday, August 3, 2015

Philadelphia Orchestra strategic plan online

The Philadelphia Orchestra Association's blueprint for the ensemble's future promises to change over time - at least somewhat. The orchestra board has spent the past few weeks absorbing the strategic plan, and is expected to approve it at some point. But in the meantime, you can read the entire document here.

Philadelphia Orchestra strategic plan online

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The Philadelphia Orchestra Association's blueprint for the ensemble's future promises to change over time - at least somewhat. The orchestra board has spent the past few weeks absorbing the strategic plan, and is expected to approve it at some point. But in the meantime, you can read the entire document here.

The orchestra has had its share of five-year plans in the past, but this one comes with considerably more urgency. As you will see, the strategic plan and the orchestra's chapter 11 bankruptcy petition are intertwined.

The Inquirer has written about the plan at least a couple of times; look for more coverage soon.

Next up: July 21 is the start of an examination in court of the Association's operations and finances, a provision of the bankruptcy process requested in this case by the American Federation of Musicians. This sub-episode aims to settle a key question. The union's intent is to have the court rule that the Association's $120 million endowment (or even its $140 million endowment, if you count in the Academy of Music's $20 million nest-egg) can be tapped for any current or anticipated pension liabilities that the Association may be seeking to shed.

You can expect both sides to argue passionately, and what you're likely to hear is this: The players will say that the Association has an obligation to make good on pledges it made to the pension plan, and the Association will argue that any reduction in endowment will hobble the organization's precarious financial recovery plan.

Inquirer Classical Music Critic
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About this blog

Peter Dobrin is a classical music critic and culture writer for The Inquirer. Since 1989, he has written music reviews, features, news and commentary for the paper, covering such topics as the Philadelphia Museum of Art at the Venice Biennale, expansion of the Curtis Institute of Music, the Philadelphia Orchestra's bankruptcy declaration in 2011, Philadelphia's evolving performing arts center and the general health of arts and culture.

Dobrin was a French horn player. He earned an undergraduate degree in performance from the University of Miami, and received a master's degree in music criticism from the Peabody Institute of the Johns Hopkins University, where he studied with Elliott Galkin. He has no time to practice today.

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