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Monday, October 26, 2009

Conductors, these days especially, have to be more than musicians. They are advocates, teachers and, in a substantive way, cheerleaders for the art form. Vladimir Jurowski, who guest conducts the Philadelphia Orchestra this week, has a couple of charismatic gifts unseen by the public during his previous visits here.

In this clip (from 2003) of him speaking about Die Fledermaus, he not only proves an elegant pianist, but also an insightful thinker. It's clear Jurowski is a conductor who makes interpretive choices based on clues in the score and deep consideration. Listen to five minutes of what he has to say about Fledermaus and you'll never hear the piece the same way again.

Jurowski leads the orchestra Thursday, Friday and Saturday in Stravinsky's Scherzo Fantastique, the Tchaikovsky Violin Concerto with the astonishing young violinist Sergey Khachatryan and one of the lesser-heard symphonies of Prokofiev, the No. 4.


Posted by Peter Dobrin @ 12:05 PM  Permalink | File Under: Conductors | | Glyndebourne Opera | | Philadelphia Orchestra | | Vladimir Jurowski | Post a comment
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About Peter Dobrin

Peter Dobrin is a classical music critic and culture writer for The Inquirer. Since 1989, he has written music reviews, features, news and commentary for the paper, covering such topics as expansions for the Philadelphia Museum of Art and Curtis Institute of Music, the Philadelphia Orchestra's 64-day strike in 1996, the emergence of a new performing arts center in Philadelphia, changes in the classical-recording industry and the general health of arts and culture.

Dobrin was a French horn player. He earned an undergraduate degree in performance from the University of Miami, and received a master's degree in music criticism from the Peabody Institute of the Johns Hopkins University, where he studied with Elliott Galkin. He has no time to practice today.