Saturday, July 4, 2015

Joan Sutherland, 1926-2010

Joan Sutherland has died, the Telegraph and others newspapers report.

Joan Sutherland, 1926-2010

0 comments

Joan Sutherland has died, the Telegraph and others newspapers report.

Critics will vault among the superlatives in a quest to identify her essence. For me, it was a matter of purity. Nothing emanating from another human voice will likely approach that sound again.

“She was a legend, certainly, because she and her husband brought back to life the bel canto school – those operas, and her voice was extraordinary. It changed the way we listen to singing and the way we teach singing,” said mezzo and Curtis Institute of Music vocal teacher Marlena Kleinman Malas.
 

Her first time hearing Sutherland was in 1958 - before her famed 1959 Zeffirelli Lucia di Lammermoor production conducted by Tullio Serafin.
 

“I was at Covent Garden listening to Carmen, and this woman in a big blue cloak came out, and the sound just enveloped the entire theater with such warmth and quality,” said Malas, whose husband, bass-baritone Spiro Malas, would become a frequent Sutherland collaborator. “I just couldn’t believe what I was hearing. Then she went on to do Lucia and the rest is history.”
 

Anthony P. Checchia, artistic director of the Philadelphia Chamber Music Society, remembers hearing Sutherland in the Academy of Music in La Traviata with the Philadelphia Lyric Opera Company (she performed with the troupe several times in the 1960s and ‘70s).
 

“It was astounding,” he said.

 

Inquirer Classical Music Critic
0 comments
We encourage respectful comments but reserve the right to delete anything that doesn't contribute to an engaging dialogue.
Help us moderate this thread by flagging comments that violate our guidelines.

Comment policy:

Philly.com comments are intended to be civil, friendly conversations. Please treat other participants with respect and in a way that you would want to be treated. You are responsible for what you say. And please, stay on topic. If you see an objectionable post, please report it to us using the "Report Abuse" option.

Please note that comments are monitored by Philly.com staff. We reserve the right at all times to remove any information or materials that are unlawful, threatening, abusive, libelous, defamatory, obscene, vulgar, pornographic, profane, indecent or otherwise objectionable. Personal attacks, especially on other participants, are not permitted. We reserve the right to permanently block any user who violates these terms and conditions.

Additionally comments that are long, have multiple paragraph breaks, include code, or include hyperlinks may not be posted.

Read 0 comments
 
comments powered by Disqus
About this blog

Peter Dobrin is a classical music critic and culture writer for The Inquirer. Since 1989, he has written music reviews, features, news and commentary for the paper, covering such topics as the Philadelphia Museum of Art at the Venice Biennale, expansion of the Curtis Institute of Music, the Philadelphia Orchestra's bankruptcy declaration in 2011, Philadelphia's evolving performing arts center and the general health of arts and culture.

Dobrin was a French horn player. He earned an undergraduate degree in performance from the University of Miami, and received a master's degree in music criticism from the Peabody Institute of the Johns Hopkins University, where he studied with Elliott Galkin. He has no time to practice today.

Arts Watch
Latest Videos:
Also on Philly.com:
letter icon Newsletter