Thursday, November 27, 2014
Inquirer Daily News

Critical point in Philadelphia Orchestra bankruptcy case

One major plank of the Philadelphia Orchestra Association's bankruptcy case fell into place Wednesday with the court's approval of a severance agreement between the orchestra and Peter Nero and the Philly Pops.

Critical point in Philadelphia Orchestra bankruptcy case

One major plank of the Philadelphia Orchestra Association’s bankruptcy case fell into place Wednesday with the court’s approval of a severance agreement between the orchestra and Peter Nero and the Philly Pops.

Optimism was ventured on other fronts in the Chapter 11 case. Though the association was still far from resolution with musicians over a new labor deal, talks are coming to a head this weekend. Mediation with Stephen Raslavich, chief judge of U.S. Bankruptcy Court, Eastern District of Pennsylvania, is set to continue Sunday and Monday.

“[Raslavich] said to bring sleeping bags — no one is leaving until it gets resolved,” association bankruptcy lawyer Lawrence G. McMichael told Eric L. Frank, the judge considering the bankruptcy petition.

“Progress is being made, and I am optimistic there will be a good outcome,” McMichael said.

If a labor deal can be reached that would be acceptable not only to the orchestra’s 100 or so musicians but also to the American Federation of Musicians and Employers’ Pension Fund, the case would take a significant turn toward conclusion. Instead of facing months of litigation, the association could file a plan in November for exiting bankruptcy.

“I won’t be disappointed if everything is consensual,” said Frank of deals falling into place, or at least potentially into place, in the coming days.

An indication of which way the case will go is expected by the end of Monday, McMichael said.

With new court filings this week, the cost of the bankruptcy to the association topped $5 million, counting fees for bankruptcy lawyers and other professionals and the settlement with the Pops.

Separate talks with leaders of the Kimmel Center for the Performing Arts and Academy of Music continued Wednesday to “come up with modifications of the relationships,” McMichael said.

“They’ve asked for a significant rent concession, and it’s difficult” said Kimmel president/CEO Anne Ewers Wednesday. “We certainly want to be fiscally responsible as an organization, and part of that includes supporting the orchestra, but we've got to be careful as to what cost to our own future.”

The orchestra owes the Kimmel $1.4 million in back rent, she said, creating a $450,000 deficit for the Kimmel Center in fiscal year 2011.

“We cannot sustain this,” she said.

A solution — a possible orchestra-Kimmel merger is one — does not appear close at hand, Ewers said. ”We’ve been doing all kinds of modeling, every scenario you can think of we’ve been running the numbers on. Frankly, this whole thing will require bold and innovative thinking.”

The deal with the Pops, founded in 1979, calls for the association to provide $1.25 million to underwrite the costs of presenting a 2011-12 season and a certain amount of administrative support, and then the two will go their separate ways, ending a six-year provisional merger.

While McMichael and Pops lawyer Paul R. Rosen told the court that the agreement allowed both the orchestra and Pops to continue making music — at one point, McMichael said he wished a piano could be hauled into court to demonstrate the artistry of Peter Nero that had hung in the balance — Judge Frank seemed swayed by more prosaic reasoning.

Hearing no objections to the severance agreement by other creditors, and citing the agreement’s purpose in circumventing potential litigation from the Pops had the Association moved to throw out the 2005 merger agreement, he approved the deal.

Peter Dobrin Inquirer Classical Music Critic
About this blog

Peter Dobrin is a classical music critic and culture writer for The Inquirer. Since 1989, he has written music reviews, features, news and commentary for the paper, covering such topics as the Philadelphia Museum of Art at the Venice Biennale, expansion of the Curtis Institute of Music, the Philadelphia Orchestra's bankruptcy declaration in 2011, Philadelphia's evolving performing arts center and the general health of arts and culture.

Dobrin was a French horn player. He earned an undergraduate degree in performance from the University of Miami, and received a master's degree in music criticism from the Peabody Institute of the Johns Hopkins University, where he studied with Elliott Galkin. He has no time to practice today.

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