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Markéta Irglová and Glen Hansard are still together musically in Swell Season, but their romance is a thing of the past.
CONOR MASTERSON
Markéta Irglová and Glen Hansard are still together musically in Swell Season, but their romance is a thing of the past.
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Swell Season casts a spell of harmony

Almost any band can get a crowd to sing along with them, but few can inspire them to sing in tune.

At the Merriam Theater on Sunday night, the Swell Season went one better. After the audience had mastered the wordless coda to "High Horses," singer Glen Hansard called for them to harmonize, a request that at most shows would have resulted in a wave of unlistenable cacophony. But such was the spell cast by Hansard and his musical partner, Markéta Irglová, that 1,800 backing singers rose to the challenge, their voices blending with nary a false note.

It's been said that the secret to a happy ending is knowing when to stop, which in Hansard and Irglová's case would have been sometime last year, after they'd won an Academy Award for their song from the movie Once, and before their romantic relationship fell apart.

It's easy to read the songs on their new album, Strict Joy, as a chronicle of their fraying ties. "I know we're not what I promised you we'd be by now," Hansard sang on "The Rain," "but maybe it's a question of who'd want it anyhow." But then Hansard, Irishman that he is, has always had a soft spot for doomed romanticism, ably documented on his six albums as lead singer of the Frames, who served as the evening's unbilled backing band.

Although the success of Once brought the duo well-deserved (and, in Hansard's case, long overdue) recognition, the new album feels constrained by their success, more concerned with not disappointing expectations than with challenging them.

But in performance, the record's occasional airlessness gave way to boisterous intimacy. When Irglová stepped away from her grand piano to sing the airy "Fantasy Man," Hansard helped himself to the cup of tea she'd left behind. They may no longer be a couple, but you would have had to strain to see any sign of tension between them.

The two-hour set drew mainly from the Swell Season's two albums, although they made room for songs by Willie Nelson and the Clancy Brothers, as well as one by the opener, Doveman (Thomas Bartlett), who enlivened his own set with a deliberately mournful medley of songs from the Footloose sound track. It's doubtful the piano-driven arrangements, concocted as a birthday present for an old friend, will do for him what Once did for his tour mates. But then, a few years ago, you might not have given the Swell Season strong odds on breaking through themselves.

Comments   
Posted 07:39 PM, 11/10/2009
mwetzel31
I was at this show on Sunday night and it being my first time at the Merriam Theater- (what? No wine available?) I absolutely loved the small venue atmosphere, and of course, The Swell Season. I was able to meet Glen beforehand as we passed eachother on the street- I think he was surprised someone "recognized" him. As humble as he is, the music he creates is beautiful and heartwarming. From the stories he told between songs, to having the crowd sing a long- the show was overall amazing. Though the seats were uncomfortable, especially for us tall gals- I never once complained during the 2 hours The Swell Season played.
Posted 01:26 PM, 11/11/2009
MareR
Glen and Marketa were amazing, their harmonies perfect, Glen's touching and funny stories between songs made it so much more than a concert. Marketa seemed so vulnerable and unsure of herself on stage which only made her even more endearing. I'm so sad their beautiful love story is over but now their new lyrics make sense. I hope they continue to plunge the depths of their souls for inspiration. Glen is so down to earth it makes you want to tussle his hair and invite him over for dinner, but that rhythmic pounding on the guitar with his voice that seems to exorcise his misery makes you wonder if you'll ever want to listen to anything else. Loved the band, loved the mishap on their first song and how cute they were at handling it. Truly a class act.
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