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Carrie Rickey, an Inquirer film critic since 1986, was born in L.A. around the time the Jennifer Jones/Laurence Olivier movie Carrie hit screens. Hence her name. Since then she's seen more than 12,000 films without losing her love of movies -- or wordplay. But don't envy her job too much. She has to sit through the likes of Battlefield Earth just so she can warn you not to.

 
Read Carrie's blog Flickgrrl
Latest post: What Would Dickens Say About "Disney's Christmas Carol"? - 11/06/2009
 
 
Email Carrie at crickey@phillynews.com
Posted 11/07/2009
An Education Carey Mulligan shines as the Oxford-bound honors student courted by a mysterious suitor twice her age (Peter Sarsgaard) in this resonant story directed by Lone Scherfig from Lynn Barber's memoir. PG-13
Posted 11/05/2009
As Ebenezer Scrooge (not to mention The Grinch), Jim Carrey aims to put a lump of coal in the Christmas stocking and a lump of emotion in the throat. That he fails is not for lack of effort.
Video: Disney's A Christmas Carol
Based on the improbable-but-true saga of Sandra Laing, the dark-complected daughter of light-complected Afrikaner parents in South Africa during the apartheid era, Skin is a surreal melodrama of arbitrary racial labeling that estranged a woman from herself, her family of origin, and the father of her children.
Coco Before Chanel In Anne Fontaine's portrait of the influential designer, Audrey Tautou, the fetching gamine of Amélie, is the determined and prickly peasant who would dress princesses. PG-13
Michael Jackson's This Is It looks beyond the reconstructed face and spindly body of the late King of Pop and basks in his meteoric light.
NEW YORK - On screen, Hilary Swank incarnates the larger-than-life Amelia Earhart, pioneering aviatrix, as a towering figure. Yet in life the two-time Oscar winner, 35, is of medium height, slim as a tulip stem.
Coco Before Chanel In Anne Fontaine's portrait of the influential designer, Audrey Tautou, the fetching gamine of Amélie, is the determined and prickly peasant who would dress princesses. PG-13
In The Aviator, Martin Scorsese mythologized Howard Hughes as a 20th-century Icarus who, scorched by the sun, plummeted to earth. In Amelia, director Mira Nair presents Amelia Earhart, legendary aviatrix, as a female Odysseus who navigates uncharted territory while a patient spouse knits his brow until she returns.
Disarming and unexpectedly poignant, An Education contrasts the knowledge learned inx school with that learned from life. The pupil in question is Jenny, a 16-year-old honors student circa 1961 at a girls' prep school in Twickenham, a middle-class London suburb, who is destined for Oxford.
Bright Star Jane Campion's ecstatic ode to tubercular Romantic poet John Keats (Ben Whishaw) and his muse, robust Regency fashion plate Fanny Brawne (Abbie Cornish), is intimate as a whisper and timeless as first love. PG
A Serious Man, the Book of Job according to the Coen Brothers, is set to the music of Jefferson Airplane. This unsettling, shaggy, surrealistic pillow of a movie - a mixed bag more funny-strange than ha-ha - goes something like this:
New York, I Love You – the second (after 2006's Paris, je t'aime) in a proposed "Cities of Love" series - is more diverting than lovable.
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